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HAIBUN
A literary
form originating
in Japan
combining prose and
haiku.
For haiku
combined
with images: HAIGA
For haiku, senryu,
and tanka:
HAIKU
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BANANAS
bananas at hand
half the hand
gone
Last time I checked, the rats had
gnawed through the unripe fruit,
leaving only hard green shells
behind. I try bagging the young
bananas in plastic bags….
from vine to vine
Norway rats
know the ratlines
Rat poison might be the answer, but
what about the mongoose? Will it
die, too? I suppose the iguanas
won’t mind if we fight the good
fight and get rid of rats AND
mongoose. Both love iguana eggs.
hardware store
holding life and death
in my hands
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MOTHER’S DAY
The beautiful spring day the doctor
finally took her into his office and
broke the news: diagnosis CANCER, I
drove her back home from Albemarle
Road through Prospect Park and up
Washington Ave. She didn’t want to
talk about the diagnosis or about
anything. I didn’t know what to say.
We drove by the Japanese Garden--her
favorite spot in Brooklyn. The
cherry blossoms in full bloom. She
was always religious in the
observance of cherry blossoms. I
suggested we stop and look around.
“No, not now, just take me home.”
She was sitting in the front
passenger seat. If ever there was a
death seat that was it.
When I finally visited the Japanese
Garden by myself I had some
disconsolate comfort in
thinking it was closer than the
cemetery and meant much more than a
grave on Staten Island. The cherry
blossoms were long gone and I’d
forgotten to bring bread crumbs for
the ornamental fish that really
didn’t need my crumbs...
Japanese Pond
on the surface
nothing’s changed
APRIL'S DAUGHTER
My daughter,
born in April, called me
yesterday evening to list the
flowers open or soon to open in
the Brooklyn Botanic Garden. And
what crowds! Hasidim, Asians,
Blacks, an ethnic and global
mish mash, and in the pond a
pair of egrets. After the
excitement of the flowers she
confessed to an onset of
depression. She had spent many
childhood days by the Japanese
pond in the company of
grandparents and felt bent out
of shape spiritually and
emotionally by time and loss and
everything changed and unchanged
in the eternal garden. Welcome
to the club.
She's leaving her twenties soon,
and me? I'm having her thirty
year crisis. Last year she found
her first gray hair. I tell her
about her grandmother coming
here as a young woman--and
coming here as an old woman,
especially in the spring.
Once, before we left the park,
my mother said "Wait." And I
waited as she counted the pond's
seven ducklings to make sure
they were still seven and not
one missing to some submarine
turtle. This was our last outing
in the park. The last count
before her last May. The ducks
are still there--my daughter's
turn to count. April's daughter,
bonjour tristesse.
we used to
meet here
every spring
we still do
IN THE GARDEN FOR THE BLIND
Brooklyn
in the garden
for the blind
a child yells
look! look!
I guess we all
belong here, metaphorically at
least. The sudden disturbing
awareness in the sense of loss
and the loss of the senses is
embedded here in braille. The
pain I imagine of perpetual
darkness in a beautiful place
casts a temporary shadow. But
kids will be kids and they're
all eyes around me.
playing at blindness
my children
feeling the leaves
OMAR
or ANY HURRICANE X
Omar quickly grows from category one
to two, spinning out of the
Caribbean from west to east instead
of east to west. Go argue with the
wind! Tell it it’s going in the
wrong direction. Tell it the
season’s over. Tell it Hurricane
Thanksgiving’s only five days away.
Projected path looks bad: a direct
hit at night, maximum winds at 4
a.m. Rush of dread and doom. Sinking
feeling in the gut. Been there. Did
all five categories. Worst case:
losing roof, no power, long lines
for gas and food, months of
candlelight dining on sardines,
dealing with FEMA. The thrill is
gone.
Saw, drill and hammer--here we go
again.
worn out screw heads
I drive them home
anyway
Exhausted and resigned to the worst,
I don’t listen to the latest
coordinates on the transistor. I
fall asleep, maybe 1 a.m., to the
sound of gusting rain, outer bands
advancing. Crowbar’s by the door in
case we’re trapped.
long night ahead
one flashlight
already dimmer
Waking up to take a leak, I don’t
hear the wind. Roosters crow. Wife’s
watch says five past five. Are we in
the eye? Did Omar stall to the south
of us? Is it gathering strength?
waking up
to moonlight
still in the dark
Roosters crow again. It dawns on me
at dawn that we might have lucked
out. Radio confirms hurricane
surprise. It attains category three
but veers off into the Atlantic,
sideswiping the Virgins. Down by the
shore, twenty foot waves, long
distance emissaries of Omar, explode
over rocks and smash against sea
cliffs.
Power back on I take down plywood
boards and open the windows knowing
that for now I’m free, home free!
Free to believe in miracles, free to
write hurricane haiku again, free to
give a damn about the elections in
November.
wave after wave
tearing up the coast
foam flying
St. Thomas 10/16/08
DIAGNOSIS: POST TRAUMATIC STRESS
The hurricanes
caught up with me. Sudden chest
pains. Crushing unendurable
explosive heart bursting
get-it-over-with-already pain.
ER nurse
drawing blood
hovering mosquito
THE
LAST WORD
My father died
in his sleep, died in his
dreams, and I was far away. His
last spoken word to my wife was
Tylenol. In dreams he still
makes me laugh. A character. A
European charmer when he wanted
to be. Multilingual. And vain
about his good looks. Dying in
his sleep was one of his luckier
moments. It's a dark truth, but
after following his example and
mastering so many languages, I'd
prefer my famous last word to be
generic. Ibuprofen or some other
such profanity.
chest pains—
time for one more
death poem?
KING OF THE MOUNTAIN
Whoever owns this acre is king of
the mountain. The property has a
stupendous 360º view real estate
ladies would die for.
I bought the wild wooded acreage
from a drug dealer years ago. I
caught his ad by chance in the
newspaper. He was a hip, cool guy
and needed to raise cash quick. Said
he was eager to go to New York and
become a big time dealer--in
diamonds! He had it all planned out.
He put it this way: “I ain’t gonna
deal with the New York mob. Mafia’s
bad news. Too dangerous. I’d rather
deal in diamonds with the Hasidim on
47th street. If I get into trouble,
they're not gonna kill me. Not their
style.”
He came from an old island family,
was fast talking, confident, and had
a few college credits behind him.
Maybe he could make it in the Big
Apple.
His grandmother didn’t want him to
sell--land is precious: “Hold on, me
son, hold on.” But for him the land
was just a temporary hold, no
belonger’s heirloom. No real blood
connection. And he was hell-bent for
New York. We made a deal and shook
hands in the shade of an old jumbie
tree.
A few years later at a local
watering hole, I heard that my
diamond dealer wannabe never made it
to New York. He currently resides in
the Paradise Penitentiary doing
serious time. Poor SOB got drunk one
night and went nuts in a brawl over
a woman--smashed his rival’s head in
with a baseball bat. Ordinary crazo
manslaughter. In Martinique it would
be a crime passionnel.
He’d gotten all sentimental the
first time he showed me the property
and confessed he used to bring a
soft drink or a bottle of rum to the
summit. He’d sit on a rock and
meditate like Rodin’s thinker.
I do the same now. And I think about
my dealer guy. How is he doing? His
fate casts a shadow among shadows at
sundown. It’s tough to be a prisoner
in paradise, but if you have the
right contacts to cut a deal with a
coke sniffing governor, you might
score a pardon.
thick undergrowth--
the thorns guarding
the wasps
Clearing a path with a machete, I
realize I’ll never build anything
here. It would make me bleed all
right. Too many bites and scratches.
Too much time and money. But at one
thousand feet above the Caribbean,
I’m part time king of the
mountain--and part time caretaker
for a couple of wild goats, green
iguanas, and countless anole lizards
battling over territory.
green on green
the last of the parrots
disappear
On the summit, I kick back among
giant boulders. It’s my island
ritual, my geologic mystery
religion. How did these huge
boulders get up here? It’s hard to
imagine the volcanic upheavals that
pushed seabeds into mountains, and
while I’m wondering...I wonder when
my diamond dealer‘s going to get
out. I wouldn’t be surprised if he
comes up here again--trespassing on
his one time kingdom and making an
offer I can’t afford to refuse. I’ve
lost some sleep over this. In the
islands fiction can become
non-fiction much too quickly....
planted by my own hand
the bayonet cactus
draws blood
CARIBBEAN
CATCH
From the back of his pickup in
Market Square,
a Frenchie fisherman blows his conch
horn.
This morning’s prize: a baby grey
shark.
Or is it a teenager?
Conch horn calls.
Folks gather ‘round to ponder the
usual pot fish––
yellow tail, porgy, old wife.
Who wants to buy some ciguatera?
Conch horn calls again.
Men just hanging out, limin’,
give the conch a try. Huff and puff.
Bust out laughing at a mouth
fart.
Parrot fish, grunt, red snapper,
grouper.
I hesitate to ask a neighbor what’s
safe in this fishy rainbow.
The so-called baby grey shark is not
for sale.
fish going fast
last ice cubes
faster
DOWNTOWN
VILLA
We renovated the house, a charming
West Indian villa gone to seed. From
our perch over Back Street, close to
the narrow alleys of Savan and the
Red Ball Grocery, we could hear the
fisherman’s conch horn blowing on
Friday mornings at Market Square.
The neighborhood was old-timey that
way, but times were changing too
fast, especially with crack and AIDS
and violent crime. It was still
homey though. We got to know the
criminals’ moms and sympathize with
them, held community meetings, tried
to organize the neighbors. Pestered
the government for a NO DUMPING sign
and street light repair….
gunshots
with and without
the full moon
Should I mention some of the
adventures with tenants we had, like
the nice southern white boys who
couldn’t get a good job and got
pissed at the island and took it out
on their apartment, carving four
letter words into the old wood
floor. Spraying the rooms with
shaving cream and pouring ketchup
all over walls and floors so it
looked like mayhem and murder at
first bloody sight. Or the deadbeat
attorney we had to take to court
over his unpaid rent. Or the girl
who saved her garbage, hiding it in
the house day after day, for months.
Or the drug dealer and strung out
zombie girlfriend installed by a
middle class matronly lady who
claimed he was her employee, a naval
engineer. The police befriended him,
accusing us of racism, till another
tenant, black, entered the fray on
our side. (We found out too late the
drug dealer was notorious––”You let
Smokey move into your place?”) The
carnival of crime was getting
worse––and the police weren’t
stopping the carnival. The stake out
we encouraged was enough to cause a
cop’s resignation, fed up with
corruption…or fearing for his life?
Then the icing on the cake––a
repairman accidentally dropped a
heavy hurricane shutter on me from
the second floor. Did he stop
attending AA? Missed my head by an
inch. Knocked me flat in the gutter.
I knew then the house was trying to
kill me, spiritually and literally.
gunshots
I stay away
from the windows
The two white putti made of concrete
over the arched wrought iron gateway
gave the house a note of elegance. I
cursed them out. They didn’t dare
talk back to me––I’d knock their
blocks off. They were so chubby,
cherubic, angelic, innocent.
Doll-faced devils in disguise. They
fooled us into investing time and
money in a pile of masonry, a white
elephant surrounded by a veritable
open ward.
shooting me
with his index finger
the island crazo
CATFOOD
Linda, alias Diana, would do
anything for animals. Men included.
But there were so many transients in
Linda’s love life. Lovers were gone
as suddenly as they arrived. Fly in,
fly out, it seemed, just like the
snow birds every year.
Linda’s living alone these days,
with her ponchos and silver jewelry
and leather hats and sandals.
They’re all homemade, as is Linda.
“Don’t call me Linda this evening.
When the moon’s on, call me Diana.”
O.K. by me...Lindiana. Wow, if I
repeat that several times--Lindiana
Lindiana Lindiana, breathe it
softly, murmur it, worship it, I’ve
got one hell of a good working
mantra. Oh, Lindiana, you
transcendental implication you!
She leans on my shoulder, brushes
the hair from my cheekbones, and
whispers, “I’ve got a new pet. Want
to step into the backyard and see
it?”
There were cats and kittens and
misplaced babies in her life. I
suspected she’d gotten a German
Shepherd, the kind you put a saddle
on as they snarf around with their
killer snouts in your groin. “No, I
don’t want to see your new pet.”
“Come on, I’ll introduce you to my
view too. There’s a nice harbor. A
chain of hills. I know you like
hills, bought them especially for
you.”
She flings open the back door.
There’s the view––and lizards,
kittens, parrots. And a big cat.
Lying lazy, tawny. The cat gets up
and stretches.
“I hope you fed her lately.”
“No, you feed her.”
“But I don’t have...,” I start to
say.
The lioness yawns and looks at me,
interested or hungry I couldn’t
tell. I back up to the door. I feel
a cold, wet something shoved in my
back.
Linda laughs. “Here’s some meat.
Make friends. Toss it to her and
she’ll love you. Just like me.”
Grateful, I take the meat. The cat
gets a whiff of it and ambles
closer. I chuck the chuck at her.
“Go meat! Make friends!”
Linda’s love life––I never
questioned it before. And I won’t
question it now. She has her way of
doing things.
only room
for one cat
suddenly there are three
CARIBBEAN QUARTZ *
There’s a new bulldozed road cut
into the hillside across the valley.
With the new road will come new
buildings on half acre lots. Every
time I see a new road I have to
explore it--and not just because
it’s new. I have an ulterior motive.
With luck I might hit upon an
outcrop of gem quality quartz. The
island chain of the Lesser Antilles
is known for its tectonic dances and
pyroclastic cocktails. Here in the
Virgins, twenty million years ago,
veins of quartz were squeezed into
fractures and fissures under
explosive pressure. Good old igneous
intrusions! Some hills are shot
through with them.
The bulldozer has exposed quartz
formations alright. I claw at an
outcrop to loosen the dirt––and
broken milky chunks with small
crystal teeth.
Back home on my side of the valley I
tell my beer, football, and NASCAR
loving neighbor about the exposed
quartz. A few days later he shows up
at my door with a perfect two inch
crystal. He has it mounted on a
golden necklace as a gift for his
lovely young wife. Young wife,
perfect crystal, what more can a man
ask for? Should I be jealous? The
marriage, of course, doesn’t last.
He’s into coke: acts out, becomes
erratic, schizoid, hostile. Who said
good stones make good neighbors?
I revisit the site and try my luck
again--find nothing except a
bulldozer clanking away at another
cut. But where there's a fresh cut,
there's always hope....
bulldozer road—
a flattened iguana
bakes in the sun
HAKONE
I wanted to see
it in person, not just on a shopping
bag, matchbox, soft drink, neon
sign. According to a brochure, there
is a magnificent view of Mt. Fuji
from Hakone, near the famous five
lakes.
Took a round trip
train on Tuesday.
Overcast sky….
Onward! We’ll
catch a glimpse through the clouds!
impossible Fuji
so close so close
the rain even closer
JAPANESE GARDEN
Brooklyn
Admiring the lake with my Number One
wife on one of the twenty days that
cherries bloom, an elderly Japanese
gentleman appears out of nowhere and
vows--"It's one hundred per cent.”
With this ringing endorsement, he
walks off towards the pines, having
personally vouched for the culture
of Nippon.
Little did he know it was our
personal lake, our home pond, our
home pines, our Far East, the
fastest trip yet—we lived across the
street. And he told us what we knew,
though we appreciated his comment
one hundred per cent.
cherry blossoms
past their prime
who am I to complain?
BROOKLYN BOTANIC GARDEN
My parents came
here every spring. It was our
city Walden. I'd meet them at
the gate with its iron rotating
bars permitting mortals entrance
to a place far from iron and
steel. We'd come to admire the
cherry blossoms, the tulips,
sometimes catch daffodil hill in
full daffodil delirium. A
timeless vision in a city beset
by time.The essence of
evanescence. A green island.
at the garden gate
my dead parents
comment on the blossoms
BROOKLYN BOTANIC GARDEN:
RETURN VISIT
The garden's the
next best thing to a "memorial
park" without tombstones and a
place for living and growing
encounters with everything déjà
vu. Though I know all the
pathways and walks and views by
heart, if I visit it's to pay my
respects to what was, is, and
will be. The garden is a way of
knowing--a sort of sacred ground
possessing meanings and shades
of meaning...and a new déjà
vu.
shades in the shadows
invisible
to any camera
heron stalking the koi
photographer stalking
the heron
CRUISE SHIP*
sigh of relief
from the ship’s doctor
no refugees in sight
The ship is on a round-the-world
winter cruise. I’m part of the
entertainment: lecturer, complete
with tuxedo and cummerbund. By
chance I’m invited to dinner at the
captain’s table. What would we do if
we ran across refugees? We’re
traveling in international waters.
I’d like to ask, but who am I to
question the captain.
Everyone on board is sick with the
flu, including the ship’s doctor.
The nurse, my pal, gives me all the
pills I need. Next port of call, I
jump ship and head for Katmandu, as
far from the sea as I can get.
black body bags––
uneaten dinners
bobbing in the wake
PO LIN
MONASTERY
Po Lin Monastery is home to the
biggest Buddha in the world. It’s
located high in the forested hills
of Lantau Island near Hong Kong. It
was still under construction in the
early 90’s when I saw it, seated in
its classic lotus pose, majestic and
serene, nearly invisible in the
mist. The fear of some, and the hope
of others, was that it would become
a sort of Disney attraction. The
monastery was already used as a
frequent movie set. The mountains
and mists were mesmerizing, my
knuckles were white….
blinding mist
cliffs on either side
the bus driver steps on the gas
Mangy dogs led the way to the
temple gate and hung around while we
ate a communal offering of rice and
mushrooms.
burning incense—
forget the josh sticks
not a dry match in the mist
Looking back from the bus when
we left, I caught a glimpse of the
Buddha high on the ridge, briefly
illuminated in a shaft of light.
sun through the mist—
dragonflies flash
over the lotus pond
THE BOXERS
Leroy Thomas...thanks for making
me a part of the block in one minute
flat.
New to Brooklyn, via Egypt on the
first civilian ship to cross the
Atlantic after WWII, I was bringing
down the garbage from our fifth
floor tenement. As I stood there
wondering which can to put the
garbage in, Leroy came over,
demanding, Hey! You want Joe Louis
or Billy Conn?
I didn’t know what he was talking
about. Who is Joe Louis?
You don’t know Joe Louis? Man, let
me tell you, he’s the best boxer in
the world.
No, he isn’t, says Sheldon, a short
white kid.
Say you want Joe Luis, says Leroy.
No, say you want Billy Conn, says
Sheldon.
Leroy was more passionate and bigger
than Sheldon.
Joe Louis, right? He’s gonna win
tonight. He’s bigger, stronger. He’s
gonna knock out Billy Conn. Bam,
just like that!
Of course I chose Joe Louis--and
made my first friend in Brooklyn.
Leroy let me put the garbage
into one of the line of cans on his
side, the left side of the double
tenement. He showed me the cans on
my side of the house for next time.
His side was black, my side white
and Puerto Rican.
I thanked him and went upstairs
having made friends and learned
about an exciting fight. Joe Louis
won and I won too. Leroy, thanks for
giving me a clue on who’s who.
Your hero is my hero. Good ol’ Joe
Louis, my first American hero. The
second would be Jackie Robinson
after I’d grown a few inches,
learned about baseball, became a
Dodger fan, and cut out a newspaper
picture of Jackie to paste it on the
wall over my bed.
Since Leroy lived next door we
became sparring partners when some
distant cousins gave me a gift of
gloves. We sparred on the roof.
Dangerous place if you got close to
the edge. It was too easy to fall
out of the ring and into eternity.
We had to trust each other to back
off as we punched and jabbed near
the edge.
If you fall out of the ring you’re
dead--no parachute can save you from
five flights down and lights out.
I’ll never know how we managed to
stay on the roof. This can
definitely be a posthumous story.
Soon enough it will be.
Half a century later I wake up
flailing and jabbing. Pulling all
punches and breathing hard.
punching the air
I shadow box
with an unknown boxer
MAKE-A-WISH
The fourteen
year old with terminal cancer
has accepted her fate but now
has her parents to deal with.
She's coping, they're falling
apart. She tries to hold them
together, she tries, she's the
coolest with a high five in the
children's ward. She tries, but
confesses to another patient,
"Sometimes I wish they'd stay
away. I wish they wouldn't
come."
on hold...
wishing for
a different music
NY, 200l,
rev. 2017
NOTES FROM THE CANCER WARD
Context: a
stressed-out spring in Sloane
Kettering's cancer ward for my
wife's operation. She had the
operation to save her life and
somehow I too survived it, and
the post operation, and the all
star cast of big chief doctors,
Indian interns, West Indian
nurses, the poster boy nurse,
the visiting musicians, the
wicked nurse who looked at the
charts but couldn't see the pain
in front of her....
waiting
reading donors names
on a wall plaque
waiting
nurse taking
a cigarette break
cancer ward--
bald headed women
talk cosmetics
cancer ward--
the doctor looks
too healthy
cancer ward--
nuclear medicine lab
nurse
so radiant
cancer ward--
plucking dead blossoms
off the gladiolas
cancer ward--
female corpse walks
with the IV
is that my wife?
in the doctor's office
the bad news
such good news
WILDCAT STRIKE
The grave lay
open. We take turns throwing
dirt into the hole. We’ll never
fill it at this rate. I ask a
striking gravedigger if we can
borrow a shovel. OK, he says,
and watches us cover the coffin
as he eats his lunch. It feels
good to be alive, to be
physical.
If we betray the dead, it’s for
the sake of the living....
tossing dirt
on the plain pine
coffin––
she wanted cremation
WHITE KNUCKLES OVER PUERTO RICO
Trying to land
in a heavy rainstorm, the pilot
guns the engines and aborts at
the last minute. We circle and
keep on circling until
permission is granted to try
again.
news flash!
what a relief to hear
the call of the coquí
ANGEL
The prison
system let you out on parole.
You did your time, I don't know
for what. Maybe you hurt
someone, maybe you hurt
yourself. I suspect you know how
to hurt yourself best.
The Last Poets, an electric
energy black power group, came
to the Seek Program on
72nd Street. You sat beside me,
a long ash dangling from your
joint, talking poetry and rock
'n roll. Your hand, trembling,
holds the joint. You tell me
you're not doing hard drugs
anymore, not that I asked. Of
course, I don't believe much of
anything--your story or
anybody's. Unarmed armed
robbery? Faking it and taking a
real bullet for your trouble? I
take that with a grain of salt,
a thick grain of salt, like what
you spread on the sidewalk for
snow and ice.
Prison is another story that
weighs you down, pushing twenty
nine on a cold cloudy day. Ol'
Angel in need of an angel to
help you straighten out and fly
right. Angel in need of...what?
Attention, discipline, love,
medical care, you name it, and
poetry too. I have a hunch, a
gut feeling, a sad feeling, a
can't sleep easy feeling I'll
see you dead before I'll see you
fly. Wish I could be your angel
but I know better than to mess
with angels. I'm earthbound. I
use the subway. I don't have
wings. I've got two kids and a
wife, enough said. At the end of
the day I'm lucky if I have a
few words left for poetry or
passion.
What a shock to see you alive
and happily dancing merengue at
an uptown fiesta, Angel. But
that's just wishful thinking....
You danced into a dream last
night with a joint in one hand
and a bottle in the other and
pretty boys or señoritas in drag
around the floor and you had red
pages of poetry in your mouth
like a dog and you tried to
recite them, trying to bark them
out.
Thirty years and I'm still
haunted by you, Angel. I hope
you didn't end back in the
joint.
more than my fingers
those I can talk to
only at night
WILD PARROTS
A few years ago
the dry forest hill we live on
was host to a flock of
parroquets, the local yellow,
green, and blue parrot. There
were about a dozen members of
the raucous gang wheeling around
the hill, a cheerful flashy
bunch, not the talking kind but
noisy enough. There weren't many
houses in the area then; now,
more and more slashing, burning,
bulldozing as houses encroach on
the green hillsides.
distant thunder--
carpenters
hammering faster
We're glad to hear the parrots
when they return to feast on the
red berry trees and congregate
in the acacias, but fewer and
fewer return. Last year we only
counted three. So far this year,
two. Countdown to oblivion?
The three to four foot bulging
brown termite nests in the
branches of the turpentine
and flamboyant trees are part of
the story. It's supposed to be a
secret that these island parrots
lay their eggs inside termite
nests. The warmth from the nest
hatches the eggs--a natural
incubator. If the termite nests
go, so do the parrots.
old sketch pad
termite trails
cut through the scenery
Today I spotted one parrot
sitting quietly on a treetop as
it surveyed the hill. I hope it
still has a mate. The single's
scene on island can be tough.
preening in silence
the last
of the wild parrots?
BERKELEY BABY
in
memory of Dr. Josette Langenheim
crab apple tree
overhanging the cottage roof
I wait for the windfalls
She comes roaring in past midnight a
short time after my call. Did I call
too soon? Is it a false alarm? She
assures me it’s the real thing. She
brings an oxygen tank, takes out a
paperback, The Guns of August,
starts reading. We settle in for a
long night. I try to nap between
contractions.
My partner has odd dreams. In one
repeated dream she gives birth to a
Galapagos turtle. In another she
dreams of five stones.
Don’t know how far the Alsatian doc
got into The Guns, but after
a few blurry hours on the front
lines, she says everything is on
cue.
Look! The baby’s crowning.
Just about daybreak she delivers the
slap that starts the birth cry,
hands me the baby, says
Congratulations. That wasn’t hard
was it?
No, not very.
Her fee is so low.
Same for a boy? I joke.
Doctor doesn’t smile. I feel like a
jerk.
I hand her the check and offer to
make eggs for breakfast.
She declines, revs up the
motorcycle, and heads for the hills.
Three old ladies living in the
corner house bring us a special
gift--a pile of boiled rags. How’d
they know? Seems they’d seen and
overheard the news from our small
cottage. The lights on all night.
The doc on a bike. The cries of a
woman in labor.
I know about the afterbirth, but
meconium? What a surprise!
What else don’t we know? Everything
is makeshift and ad hoc. We have a
cardboard box for a cradle. Too
small for a Galapagos turtle. At
most maybe a clutch of turtle eggs.
crab apple bounces
down the cottage roof
too early too green
FOG
Visiting a friend in Berkeley after
a cross country flight, I don’t
fight the desire to stop moving and
get my head back to normal. The fog
puts a damper on everything. Let it
do the same for my N.Y. brain.
There’s hardly any wind.
half asleep
in the fog
wind chimes
At the front door big snails slide
across the welcome mat. They have
their history. The welcome mat must
be the snails’ palimpsest. Jet
lagged I close the door on Berkeley
fog and close my eyes.
the fog too thick
to see my way
to goodbye
BATMAN AT THE BATTERY
The line to the Ellis island ferry
is way too long. I give up. I don’t
feel like going through heavy
empty-your-bag-please security. Not
today. It’s too beautiful. Too
perfectly perfect. Let’s not spoil
it with security.
homeland security
seagulls on patrol
from island to island
A Statue of Liberty motions to me to
come on over from on top of a
stepstool as he confers with another
Liberty statue. There’s a gang of
four Liberties working the park for
picture taking tips.This is poetry
territory. Liberty statues in drag.
Kitsch with meaning. Hey, Walt
Whitman! This is your meat and
potatoes. Come catalogue the crowds.
On a footpath near the ferry
terminal I spot a comic book
character come to life. Aloha,
Batman. A wide eyed kid asks “Can
Batman fly?”The boy’s
lollipop-sucking family crowds
around him.
Batman strikes a pose
cameras flash
pigeons take off
It’s not often I get a chance to get
close to a superhero in full
regalia. Wonder if he bought it off
the rack or had it made to fit.
And here he is, Batman himself,
collapsing next to me on the park
bench. He’s been on his feet working
the crowds all day. “Time out?” I
ask. He slouches down on the park
bench and responds with a well
rehearsed line. “There’s never a
time out from fighting crime in
Gotham!” Well, yeah, of course, but
I reply to his masked face, ”You
look like you need a break.”
He confesses he’s been very busy,
overworked, but he doesn’t need any
Robin for a sidekick. Why split the
kitty?
“What if someone wanted your job?”
“It hasn’t been a problem so far,
knock wood,” and he tapped the
bench. "Not a bad day job."
“What do you do at night.”
“Ah, don’t ask, that’s another
story.”
At that point I really wanted to
ask, but a child comes up and wants
his picture taken with our hero.
Batman graciously complies and after
five minutes he’s back on the bench.
I ask, “Whatever happened to
Superman?”
“Must be on the unemployment line.
No movie. No TV special. No hype.
Nobody misses him yet. Not even
Hollywood.”
“So you’ve got the Batman
franchise.”
“Yeah.The park is mine. If Superman
makes a comeback I can always switch
costumes.You don’t need acting
lessons for this gig. It’s not
Shakespeare.”
“Aren’t you supposed to wear a
cape?”
“It’s at the dry cleaners. Thanks
for reminding me. We had an accident
with a kid’s ice cream cone. Beware
of toddlers with cones.”
So much activity going on:
sailboats, helicopters, laughing
gulls cackling, pigeons flying, and
one more Liberty guy climbs on top
of his portable pedestal and gets
ready to raise his torch for a buck
or two.
Me and Batman, park bench buddies,
watch a packed ferry coming in.
Batman picks up his satchel and puts
on a crime-fighter’s voice: “I must
be off! There’s work to be done!” I
throw him a salute goodbye. He sees
me but of course I can’t see him.
I’ll never know who I talked to....
Halloween in July
Batman’s
Southern accent
THE MAN FROM ABU GHOSH
David Street was pretty much
deserted even though it’s the main
access road to the Western Wall. I
followed a fat woman heading for the
souk with an old fashioned scale
balanced on her head, admiring her
poise and nonchalant style.
”Hey, you, you chosen beoble?” A
short stocky man ran out of a
souvenir store, shouting at me.
“Explain me what means chosen
beople.”
Looking back, I could’ve played a
Christian tourist or a Bahai or just
another tourist from Atlantis and
avoided his question altogether.
Instead I answered, "We've been
chosen to suffer.”
He wasn’t satisfied with, I admit,
my hokey answer, but what can one
say to an off the wall guy with an
off the wall attitude? When a woman
passed by with a hound on a leash,
he shouted at her, too. “What do
Jews like? Do they like beople? No!
They like dogs!”
I interrupted his tirade him with a
question of my own. “Where do you
come from?”––a personal question to
throw him off balance.
Turned out he was a poet from Abu
Ghosh. “I have a boem,” he said,
launching into a passionate torrent
of words:
There’s no rain
but my outstretched hand
would hold on to a clod of
crumbling earth
no matter no matter who or
what
no matter if it doesn’t rain
for a hundred years
my hand would hold on
hold on....
“That’s good,” I told him. “Publish
it.” He was surprised by the
unexpected praise. He calmed down,
smiled. Ah, yes, a fellow
poet––hungry for a good word!
The store owners came out and led
him back inside. I could hear
them reprimanding him for
driving away potential customers.
I’m
sorry I don’t have his name and
address. Still, I could try sending
him some poetry books, care of Abu
Ghosh. After all, how many village
madmen and poets can there be in
such a small town?
I'll
have to let that question ride....
mixed body parts
Jews and Muslims
in a plastic bag
CAVEMAN
Niaux caverns
At the flick of a switch,
time collapses. A guide’s
torch illuminates the
interior decor: bison, ibex,
horses, deer, long horned
aurochs. We are interlopers
in a shaman’s secret domain,
cold, damp, echoing.
hands
on the wall
shadow of my hands
Hunters and hunted, red,
black, ochre in the
flickering light. Watch your
step the guide warns. It’s
slippery. Treacherous.
infant’s footprint
embedded
in the cave’s clay
floor
The Cro-Magnons were on to
something. They had tools,
art supplies, a reverence
for art for life’s sake.
Niaux
twelve thousand years
without critics
Back in dazzling sunshine
the interior revelations
linger. Time flies.
grasshoppers
now a leap
then a leap
CURIOSITY
A feral cat with its head
stuck in a small glass jar
comes out of the woods. How
did it win this prize? Some
gifted people have the knack
of calming a wild cat, but
I’m not in that magic
circle, and if I could
somehow smash the jar with a
claw hammer, I’d probably
injure or kill it. Nine
lives? I doubt it. This cat
in a glass jar will die of
starvation. Now, as it
slinks silently back into
the woods, I own its
misery....
cat news
lining the cardboard box
with obits
BERKELEY POETRY*
for Julia Vinograd
Rainy day in Berkeley. I
duck into Cody’s on
Telegraph Avenue to look for
the Bubble Lady’s latest
chapbook.
As I go down the aisle,
deeper into the poetry
section, the building starts
to dance and shake. Books
drop from the shelves. How
can I brace myself for the
megapunch? Berkeley’s
overdue for the Big
One...but it’s only a
relatively minor shake.
Probably only a 4 point
something on the Richter
scale.The roof doesn’t cave
in, and I walk out of the
poetry section in one piece.
Poetry can be dangerous! I
could have died in there
under an avalanche of verse,
not a fate I aspire to, even
though, ironically, it is a
goofy, poetic way to go.
Next time I see the Bubble
Lady I’ll tell her that I
nearly died for her sake and
that she should blow some
extra special bubbles for
me--bubbles easier to chase
down than poetry books in
the earthquake section of
Cody’s or rainbows hanging
out over Telegraph.
waiting to be picked up
at Sather Gate
a bluejay’s feather
PANIC
Woke up in a panic,
breathing hard, breath after
breath. Involuntary yoga.
The day I die I know I won’t
be ready. I won’t be
satisfied with the day or
the timing. Too much left
undone. I won’t be satisfied
with life or death. I won’t
be satisfied with any death
poems I’ve written, with any
I might be tempted to write.
Famous last words or last
emotion too pathetic, even
if they’re not meant to be.
The Japanese write ”death
poems.” Jisei. Brief
words, stoic tanka and
haiku. Space and time and
all of life resonating in a
handful of words. All of
life? One thousand paper
birds was a magic goal.
jisei
counting and recounting
the paper cranes
Time for famous last words.
The storm is coming.
Hurricane jitters. Unplug
everything. The storm is
coming. It’s always on the
way. Anxiety, depression
injury, heart attack on the
menu. If I’m going to lose
the roof, let the beams fly
back to the forest where
they came from. Last minute
running around, popping old
buttons the least of
worries. So what if we lose
a shirt? I suck up the air
in expectation. Take my
chances, Wait it out. Sit in
the dark. Put the fear of
death into life poems, put
some life into death poems.
It’s going to be a long
night.
whose got the button?
threading the needle
by candlelight
St. Thomas, VI, 2008
JISEI
Jisei, death
poems, zen truth or zen
kitsch. Earnest, heartfelt
sentiment at the time of
demise or words prepared in
advance for the occasion. At
the point of death there are
always last croaks. What can
I say? Whoever, whenever,
wherever--if death is your
daily bread, take it with a
grain of salt.
floppy rag doll
the corpse I carry
over my shoulder
CARIBBEAN
WAR
I nearly died on the
hillside.
Out of sight and downwind
from the house, no use
yelling help if I’m in
trouble. The neglected
grounds belong to insects,
small anole lizards, and
iguanas, and I stumble into
an unexpected war with the
root of a large
ketch-n-keep, a nasty
bramble. The monster plant,
a contentious animal, a
creature of multiple
tentacles and grasping
thorns, has me sweating,
panting, heart pounding. I’m
scratched and bleeding. I
want to kill it, and it’s
taking revenge. Dizzy,
nauseous, I sink down on my
knees. My mouth is dry.
Dehydrated. Sunstroke? What
if I pass out? Dumb way to
go!
I crawl toward the shade.
Next move, the nearest
faucet. Still shaky I creep
uphill, cursing the root and
the consequences of victory.
among rain lilies
dozens of thorn babies
sprouting
HURRICANE
MARILYN
After my front roof blew
off at five past midnight,
the sky falls in and for the
next two roofless weeks
there isn’t much space or
place or time to write more
than a brief note. But
amnesia might help get
through this numbing period.
Numbness has its own rewards
after those moments of panic
in paradise with the wind
belting the house harder and
faster than 200 mph,
pounding it repeatedly,
those moments when it shakes
and shivers and finally rips
apart and there is nothing
but wind and primal chaos,
nothing but senseless hope
against hope to hold on to.
Those moments come back in
the night, willingly or
unwillingly. Whether wants
to or not they return. I
wake up gasping, looking
wildly at the ceiling until
the walls and ceiling fall
into place, until they
stabilize before a wind
driven gaze-in-a-daze.
Across the valley a young
girl survived the night
cowering in a bathtub. A
couple I used to wave to on
the road jumped into black
plastic barrels when their
roof caved in. They
disappeared after the
hurricane. I see them still,
heads down in the barrels…
or peeking out…. Most
fatalities were in the
harbor, experienced boat
people trying to ride out
the storm.
high on the beach
a single sandal
rides the drying seaweed
I hesitate to ask people
about their traumatic
experience, not wanting to
trigger more nightmares, but
some eagerly ventilate.
Others keep their own
counsel.
utility pole down
the songbird’s silent
on another line
Scrounging in an
abandoned house for
materials to help rebuild, I
find a usable door. The bank
had foreclosed the house a
month or so before the
hurricane. It was completely
trashed and vandalized by
the blasting night-long
wind, ten hours of wind and
water damage.
in the rubble of a
friend’s house
a dry book
How to Meditate
BUTTERFLY DECEMBER
The
prolonged drought in the
fall of '94 decimate the
wasps that feed on
butterfly larvae .
after morning rain
the white white noise
of swarming
butterflies
making up
for the long drought
a blizzard of white
butterflies
in a riot of
butterflies
even police cars
slow down
writing about
butterflies
distracted
by a mosquito
No one in living memory
has seen so many
butterflies. Snowed
under with them, day to
day, dawn to dusk. The
story hits the local
Daily News.
nothing
happening--
except the dance
of ten thousand
butterflies
total strangers
only butterflies
in common
after butterflies
caterpillars inch
into
our conversations
BLACKBEARD'S
HILL
Blackbeard's Castle, the
oldest hill fortification on
St. Thomas, reinforcement
for Fort Christian on the
waterfront below, and
subject of remarks by John
P. Knox:
"It is the general opinion
of many of the inhabitants
of St. Thomas, that the
island was at one time
possessed by the
buccaneers....The romantic
names even of 'Black
Beard's' and 'Blue Beard's'
castles have been given to
the towers on the hills." (A
historical account of St.
Thomas, W.E., 1852)
over the pirate's tower
a red dragonfly
flashes its blades
flicking tongue
in the old cannon's
mouth--
lizard on guard
lizard at twilight
still posted
at the door
legends
wedged in among the
stones--
last year's birds'
nests
LORCA
IN VERMONT
There’s magic in Vermont
I was told. What does that
mean? It means I shook hands
with Coincidence. It means
we booked into the same
small B&B. It means we
sat next to each other at
breakfast. It means
impossible odds if there are
300 million Americans and a
dozen came to Vermont for a
family reunion, and the
thirteenth came to study the
Poet and offered to show me
his Vermont hideaway.
There is magic in Vermont.
With the God of Gold in the
summer sun, magic runs the
hilltops into the ground.
Halos of silver turn my
head. Fragile fairyland
families of Indian pipes
hide in the forest mulch.
over my head
the meaning
of the moon
PARIS:
PERE LACHAISE
It’s not Halloween. Why
did we come here? Why do one
million people a year come
to visit this hillside? Are
they all necrophiliacs? It’s
a great rendezvous, a leafy
getaway from the city.
Though it’s a city of the
dead it’s very much alive,
probably the most visited
cemetery in the world, which
must impress the crows and
statues and carved angels
with outspread and folded
wings.
It’s an unusually cold and
rainy summer in Paris. Who
would imagine sweater,
jacket and scarf in the
middle of summer! Thursday,
July 8th, 20O4, dawned
cloudy and threatening to
rain again. Raining on and
off for a week. The rain’s
become a joke. We head for
Pere LaChaise cemetery
anyway. It’s one of the
places I missed last time in
Paris, a lifetime ago. I
owed it a visit. Oh yes,
it’s my lady’s
birthday...we’ll picnic in
the cemetery if the sky
doesn’t fall.
We buy a map from a map
seller at the entrance, a
very poor guide. It’s almost
impossible to follow. I try
to follow my nose which is
pretty cold and allergic to
something in the air.
Resident crows break into
full cry.
dark sky
crows making light
of the dark
Not many people braving
the elements this morning,
but there’s a sense of
camaraderie among the
intrepid strangers who do
venture out. Lousy weather
is one way to avoid the fair
weather mobs. When a few
rays break through there’s
even a ray of hope for some
summer sun. For a while
things are looking up. And
we do look up often to check
the sky. We keep running
into the same people, but
after a while we follow
different maps and walk down
an alley of stately chestnut
trees alone.
between dead silences
a solitary crow
on a concrete cross
Going beyond cemetery
silence on Sundays there’s
even a classic music concert
in the crematorium. Fifty
thousand Frenchmen can’t be
wrong: this is the place to
rub bones with the best or
the most affluent and vain.
There are about100,000 homo
sapiens interred in this
expensive ground. Vive
le cimetiere! Wind and
rain try to kill me here--as
good a place as any to catch
your death. Suddenly, I run
into a stone that says
simply: DREYFUS.
It stops me cold. No
words, no dates. It reminds
me of what happened just
thirty four years after his
exoneration in 1906. The
viciousness of Vichy, the
round ups, and the trains to
the East.
Wonder what it costs to
join the club of so many
illustrious skeletons:
writers, poets, playwrights,
performers, artists,
architects, industrialists,
scientists, generals,
politicians, doctors,
bankers, musicians.
Everybody who’s anybody who
used to have a body is here
who can afford to be here. Le
tout Paris. I’m in
the company of the elite.
It’s up to me to find them
in this vast hide and seek
of a graveyard. Some stones,
like Dreyfus’, seem to find
me. Then I find it’s the
wrong Dreyfus. The right one
is in Montparnasse.
Once you find your quarry
what do you do? Commune with
the spirits? Cross it off
the list and move on? This
game can go on forever. Jim
Morrison, American idol, is
a more recent arrival, but I
passed him by. Sorry Jim.
I’m looking for vintage
spirits: Isadora Duncan,
Bizet, Balzac, Chopin,
Moliere, Proust,
Apollinaire, Edith Piaf,
Yves Montand, Simone
Signoret and of course
Abelard and Heloise. What a
reunion. So much to look
for. Yoohoo, Isadora, where
are you? Have I got a scarf
for you!
rushing here, there
only 24 hours to live--
dragonfly
Not much luck with my
top ten list. I decide to
let the dead surprise me.
I’ll just stroll and keep my
eye on the weather and the
antics of other visitors in
this open air museum of the
dead, losing myself in this
place of so many
echoes. The visitors
do seem to be the lost
souls. So many paths! Which
way is which and who lies
where? The lost outnumber
the found.
Who would ever suspect
that among all the culture
heroes the one with the most
flowers is a 19th century
spiritualist who goes by the
name Kardec. They say he
invented the words
“reincarnation” and
“spiritism.” He’s a big man
on the afterlife campus.
Kardec‘s tomb is drowned in
flowers. What about the
really famous names? Forget
it. Kardec is King, the
Magus. He ought to get
together with Marie LaVeau,
voodoo queen of New Orleans,
whose gris gris did
wonders for her clients.
Crows squabble in the
treetops. At a crossroads a
black feather lies at my
feet. What does this mean?
Is it an omen I could take
to the bank? Should I throw
this souvenir in the trash?
Or put it as a token at the
feet of LaFontaine? If the
fabulist is here and yes, he
is, then he’s probably
conversing with the crows.
two young dudes
ask for Jim Morrison
I point them in the wrong
direction
People stop and ask me
for directions. Do I look as
if I live here? Must be the
debonair red scarf. Not many
of those in July. An Italian
couple asks if I’ve seen
Maria Callas. I can only
offer directions to Bizet.
We exchange finds. We’re
engaged in a sort of
treasure hunt with strangers
from everywhere, joining in
to play tag with the known
and unknown dead. You can
tell success in the cemetery
by the smiles. Some time
passes and we run into the
Italian seekers again and
they’ve found out what
happened to Callas: the
divas ashes were stolen from
Perre LaChaise and returned,
later to be scattered off
the coast of Greece. What a
finalé!
We find a bench for a
picnic near the tomb of a
19th century mademoiselle.
Lunch is a baguette with
goat cheese, olives and
tomatoes. The Romantic Poets
of France and England would
approve of the location.
Lightning and distant
thunder. It starts to
drizzle. No pigeons attend
us. The wind picks up. This
is not so romantic. A wind
blows our napkin down the
lane. I chase after it, and
I’m ambushed by WW II.
At the WW II memorials to
concentration camp victims,
a sharp cold wind brings
involuntary allergy tears to
my eyes, tears driven off by
gusts of storm winds. How
appropriate and uncannily on
cue. I can’t believe it.
This is July. I’m being
chased away by the knifing
wind of WW II. Sauve qui
peut, I run away
promising to come back
later. A later that never
happened. I think I’m
allergic to WW II. It nearly
killed me and it certainly
wiped out my father’s
family. It came so close and
now it’s so far away...or is
it.
lightning
the silence
about to break
As far as the eye can
see I’m enclosed in a garden
of stone obelisks,
sepulchers, pompous
mausoleums, pyramids, cones,
crypts, Romanesque, Gothic,
Greek revival--geometry
heaven...plus stained glass
and elaborate marble tombs
turned into pissoirs. I’m
not the first to take a leak
behind a marble monument
with winged angels. Angels,
I’m told, have no body
functions. Forgive me,
whoever can forgive. I’m not
an angel.
A stocky African woman in
flowing native garb lights a
candle to Abelard and
Heloise. Why? The wind picks
up and she hides the flame
behind a protective
tombstone. Does she wish for
romance? She hovers around
the tomb as if she’s family
and finding it hard to let
go. With her back to the
wind she crouches down to
protect her candle. We share
a smile, though I’ll never
know where she’s coming from
or what she wants. From what
she told me the legend was
not familiar to her. Would
the simple stone slabs of
Yves Montand and Simone
Signoret serve just as well?
Mysteries abound.
A true alcoholic, a morning
drunk with a brown bottle in
hand and an eye for the
ladies, approaches a trio of
pretty girls and asks for
the way out. Grinning, he
turns to me and kindly
offers a hit on his bottle.
Merci monsieur. I
point him in the right
direction as he totters off
after his bottle hand down
the road. Is he homeless or
is this his part time pied
a terre. Did he sleep
off his bottle breakfast in
one of the big mausoleums?
randy drunk
asks for the exit
though he knows the way
out
And where did this old
man with a grey business
suit hiding his bones come
from? He seems to have
materialized out of nowhere.
What gods put him here in my
path and made him ask me for
directions? Perfect casting,
perfect denouement--if this
were a movie it would be
perfect closure with the
camera tracking the skeletal
old man up the hill where
he’d go up in smoke. Nah,
that would be too realistic!
at the entrance
a cadaverous old man
seeks the crematorium
The island of St.
Thomas, the birthplace of
Camille Pissarro, is my
home. I make it a point to
visit the grave of my fellow
islander, the almost sainted
father of Impressionism. And
with luck for once I find
the site easily. He’s here
with other Sephardi
relatives. Look! Christians
and Jews lie side by side in
this crowded corner. The liberté
egalité fraternité of
the dead in Pere LaChaise is
refreshing. Muslims can also
find fraternity for eternity
here. Egalité didn’t
apply to French Jews in WW
II. Lucky for Pissarro that
he lived in the 19th
century. And how the heck
did Gertrude Stein survive
in France under the Germans!
a visitor’s rose
red and recent
wet with rain
A rare wooden bench
gives us some rest during a
lull in the freaky cold
gusts.
an old couple gazing
at the close set
tombs
sit closer together
From the bench I see
lightning. There’s a ten
count pause for thunder.
Another round of rain. I
have a flash: Pere LaChaise
--The Movie. A great comic
opera, better yet a cut up,
sliced up computerized
cartoon and real life
extravaganza. A grand
guignol of history and
Halloween. Dark humor
rattling skeletons, kicking
in closets and roasting
sacred cows--if there are
any left. Call it a Cage
aux Morts.
The crows are silent,
the pigeons are grounded.
Something’s brewing. More
rain coming. The Philippe
Auguste metro stop is a long
block away but it will be
warm. A Parisian cold is not
sexy. Let’s amscray, split,
depart, before we join the
dear departed. If Jim
Morrison were alive today
he’d probably say, “Man,
this place is history. How
did I end up here?” Rimbaud
has nothing on this rock
star.
Move over Rimbaud. Meet Jim
Morrison, lead singer for
“The Doors.” A perfect
youth icon: good looking,
intense, tortured, talented
and notoriously, perfectly
dead at 27. Found in a
bathtub in Paris back in
1971. He probably wanted to
die a rock ‘n roll legend.
But not so soon, not so
soon. If I could reach him
I’d tell him this little
anecdote as a follow up to
his rocking triple refrain
“break on through to the
other side”: A man comes to
the river and he’s stuck. No
bridge, no boat. He yells
across the river to someone
on the opposite shore:
“Helloooo, can you hear me?
How do you get to the other
side?” And a voice answers:
“You are on the other side!”
I’d like to be back in
Pere LaChaise one more time
before I go to the other
side. Catch up with this
Who’s Who in another mood.
Maybe in the evening with
fireflies or a full howling
moon. How late do the gates
stay open? I’m told they
close at six. Too early for
fireflies. Too late for
crows, but always open to an
active imagination after the
gates close for the night.
carved angels
wind driven rain
flying off their wings
THE
SWANS OF 1968
It was a memorable day that
first week of April for two
reasons. Martin Luther King
was shot and l could have
been killed.
On account of the news I’m
heading home early from my
job at Adelphi University,
listening to eulogies on the
radio, trying to keep up
with the latest breaking
reality, and driving back to
our temporary shelter in the
D’Agostino’s summer house, a
bargain winter rental in
Point Lookout on the
Atlantic Ocean. I slow the
car down from sixty to maybe
forty so I could catch a
glimpse of the swans. Were
their wings clipped? I
didn’t know. Wild or not
they made an idyllic picture
on that small lake near the
highway. A visual treat--I
always tried to slow down in
that stretch so I could
savor it.
The last snowbanks of a late
March blizzard were slowly
retreating on either side of
the highway, and there was
no one in back or in front
of me. I had the highway to
myself and the highway had
me. Too late I saw a long
sheet of ice. The steering
wheel useless. The breaks
were a joke. Adrenalin made
me super lucid. Would I
bounce off a guard rail,
smash through it, spin
around, flip down an
embankment? It was a long
slide before the wheels
caught bare concrete, and in
that charged and charmed
moment, I laughed a
post-mortem laugh.
saved by the swans
one motorist
grateful for grace
TERMINAL VISION *
At the bus station’s
Lost-and-Found, I’m looking
for spectacles left behind
on the Jerusalem bus. A
reluctant clerk dumps brown
bags full of glasses on the
counter, a hoard fit for a
holocaust collection. “Here,
try your luck.”
I let my fingers rove over
the pile, all types, all
styles, from a la mode to
outmoded to prehistoric. I‘m
stunned by this vision of
vision, lost on the way to
and from Jerusalem.
The clerk keeps a watchful
eye on me as I go through a
pyramid of prescription
lenses, frames, sunglasses,
bifocals lost and forgotten.
“Any luck?” she asks.
“No, I’m afraid it’s
Kaddish for my glasses. Give
me another minute please.”
She waves me off the hoard.
“If you’re serious come back
in a month or two. Somebody
might turn them in.” Next
year in Jerusalem, I mutter,
but who knows.
at the terminal
I bang on the door
of the wrong bus
|
OUR
TOWN SATURDAY NIGHT *
starry night
not one star
out of place
It’s a folding chair
production. Sold out. The
local high school is putting
on Thornton Wilder’s “Our
Town.” Life, love, birth,
death in Grover’s Corners, a
small New England town with
an active cemetery. Bare
stage. Not many props. Some
chairs, a ladder, and a
stage manager to move the
characters and ghosts along.
You remember it, don’t you?
There’s an extra twist to
this all-American favorite.
My friend’s the director and
he fills me in. The high
school English teacher’s
daughter plays the lead role
of Emily. The teacher’s in
the audience tonight. And
that’s the real play. She
looks normal, doesn’t look
bad at all. No hat, no wig,
no outward sign that she has
terminal cancer.
Every word the daughter
speaks on stage takes on
added resonance. Heavy
echoes hang in the shadows
when Emily, in a ghostly
white gown, laments her
mother’s not being able to
see her grown up and getting
married. It’s too real, too
intensely close to home.
intermission
the condensation
on soft drink cans
Brief power outage toward
the end but the play goes on
with flashlights and more
power than most people can
handle. Almost everyone’s
aware of the byplay within
the play. The cast members
most certainly. At the
curtain all the dead are
applauded, all resurrected
as high spirited high school
kids. I turn around to see
the youngish mother a few
chairs behind me. She’s
smiling and laughing through
tears, applauding her child.
Bravo! Bravo! Seventeen and
pretty, the star takes one
bow, then another. She runs
off stage for a quick
change. The lady next to me
has tears in her eyes too.
“Our Town” will never be the
same.
At the exit, mother and
daughter, all smiles,
surrounded by well
wishers....
parking lot
a car’s throbbing
bass
fades into the night
TO
NIKKO & BEYOND *
Northwest of the Tokyo
urban sprawl there are still
some stretches of rice
paddies. I was on the train
to Nikko admiring the
scenery. The guidebook said
Nikko means sunlight. I was
hoping we’d get some. The
young Japanese guy sitting
opposite me and my
girlfriend caught my eye, he
smiled and said, “I very
happy.” That was an
unexpected sort of
announcement.
“Why are you happy,” I
asked, pleased to know that
he knew some English.
“I marry Nikko. Tomorrow.”
I congratulated him and
wished I could help him
celebrate. My girlfriend
threw me a look. I wasn’t
asking for an invitation.
I’m innocent. I don’t even
know if Japanese invite
outsiders to such a
ceremony. Between his
English and my Japanese we
could hardly
communicate.
She noticed that everybody
on the train was equipped
with umbrellas. Are we on
the rain train? Judging by
the umbrellas the odds are
against us. “We’re gonna get
soaked like frogs in a
paddy,” she said. For some
reason the train slowed to a
crawl. I didn’t mind. The
deserted rice paddies
intrigued me. Low lying
mists rose from them in the
near distance. I remembered
a haiku by a poet whose name
escapes me.
vast summer
the frogs we can’t hear
the frogs we can hear
She liked the lines. I
never claimed they were my
own.
There’s something about
serene rice paddies that
makes one long to get off
the train and go back in
time, back among the fields
reflecting the trances of
ageless summer. Elysian
fields of illusion! What if
it rains? The train climbed
away from the fields onto
higher ground.
Nikko station
a dragonfly makes a pass
at my companion
We followed the crowd. A
few drops fell and the
threatening sky seemed to be
held off momentarily by an
instant crowd of umbrellas.
We managed to rent a black
umbrella at a kiosk from a
toothless crone who was
doing a land office
business. I was eager to see
the fabled cryptomeria.
There’s absolutely nothing
hidden or crypto about these
huge soaring cedars at the
Toshugu shrine.
On the asphalt road to the
Toshugu shrine, the ornate
mausoleum of 17th century
Shogun Tokugawa Ieyasu, I
followed in the footsteps of
a middle aged Japanese
gentleman who did not carry
an umbrella. He was climbing
directly in front of me,
looking at his feet, when a
yellow bus came hurtling
down. I didn’t know how to
say “Watch out!” in
Japanese. The bus’s side
view mirror missed the man’s
head by a fraction of an
inch. He’ll never know how
close he came to being
whacked.
I learned how it feels to be
tongue tied, mute and
dumbstruck in the face of a
looming disaster. Talk about
the limits of language! I’ve
played the scene over in my
mind many times. If I had
yelled WATCH OUT in English,
or Japanese, he might have
turned his head in the wrong
direction and been struck
dead. Fortunately nothing
happened...nothing and
everything:
open mouthed
I gag
on no language
After the bus incident I
headed into the gravel of
the shrine and the dark
skies opened up with a
dramatic downpour. Trying to
get to the carved
monkeys--the original
hear-see-speak-no-evil
guys--cost me a good
soaking. Who is the monkey?
The rented black umbrella
didn’t stand a chance
against wind driven rain.
My companion said
she had to get back to Tokyo
for her English tutoring
job. In spite of the weather
I wanted to head north of
Nikko to Lake Chuzenji and
the Kegon Falls and maybe
see a bit of the Japanese
Alps. I couldn’t tempt her
to forget Tokyo. She had an
appointment at 4 PM,
tutoring a wealthy Japanese
film maker/photographer who
kept propositioning her with
offers of fantasy weekends
in fabulous ryokans. I
wasn’t too happy about this,
but we had an understanding.
We were companions of the
road.
We met in a Tokyo
foreign language, i.e.
English, bookstore and were
instant buddies. Americans
in Tokyo. Fellow
Californians. Pure chemistry
or pure karma. We clicked,
but I was short term and she
was long term...at least a
year. Maybe I should’ve gone
back with her. We embraced
near the famous vermilion
Sacred Bridge and kissed
goodbye. It felt corny, too
ripe, too rich. A peak
moment. A Hollywood moment.
Some background music
please.
tongue
on tongue
no place
for words
She was hedging her
bets. She was a player like
me. We were practically each
other’s alter egos. She felt
we were “obviously married
in a previous life.” I don’t
remember my previous life. I
have trouble remembering
this one.
A few months later after I
got back to California I
sent her a song about “a
moonlighting lady and a no
good man/just good for the
night/just good for picking
up cues/connecting with the
Tokyo blues.” I’m still
waiting for a response.
Yes, she went back to Tokyo
and it poured again on cue.
No pathetic fallacy here. It
was on again off again
downpour time. She probably
made the right choice.
black umbrellas
dark skies
no illumination in
lightning
Getting on the near
empty bus to go to Chuzenji
and the Kegon Falls twenty
miles northwest of Nikko we
passed a poor hut. I
couldn’t tell exactly what
its function was, but out in
the garden there was a
solitary sunflower. I had a
moment of fellow feeling for
this plant beneath dark
skies.
which way to turn?
sunflower
in the fog
I won’t complain about
the constant yakking of the
automatic tape recorded
guide commenting about every
stretch of the road. It must
have been interesting but it
was of no interest to the
audience of mostly empty
seats and one gaijin who
couldn’t understand diddly.
The bus driver himself
finally turned it off when a
group of groundskeepers and
hotel workers got on. The
bus ride up to Chuzenji
included forty eight twists
and turns and hairpin
curves. My stomach wasn’t
ready for it. What a relief
to get out into the cool
mountain air! Expecting
nature in the raw, I
found the raw concrete of
a cement structure
overlooking the falls. The
building contained an
elevator going down to the
observation deck and a floor
devoted to noisy video
games. Oh well, modern
Japan.
It’s summer and it’s raining
and on the viewing terrace I
hear the deafening roar of
the waterfalls crashing down
over 300 feet. What can I
say in praise of such
water...
heavy rains
the falls overwhelming
the video games
If I had to choose
between the living
waterfalls and the color
woodcut of Keisa Eisen done
back in the 1830’s, it would
be a tough choice between
nature and art on a sunny
day. On a rainy day I’d have
to choose the woodcut
art--so powerful in its
silence--no overwhelming
roar, no game machines, no
pings, no dings, no bonks,
no elevators, no kitsch.
Just a print of the ravine
and the falls in reddish
brown, blues and
whites--water plunging down
in patterns so strong, so
unique, so Old Japan.
It must have been an off day
at the Falls which are
usually crowded with
sightseers and newlyweds,
even in umbrella weather.
Few people, no honeymooners,
but plenty of cool mist and
rain.
Kegon Falls
not even a pair of
dragonflies
on their honeymoon
The Nikko story could
end here with no
honeymooners and no
dragonflies or it could go
on. I wonder if me and my
Nikko lady are nothing but
figments of a fiction
writer’s overheated
imagination.
old frog
the pond swallows it
without a sound
Maybe my lady love is
here in California settled
down with two kids and a
computer. She could be the
loyal wife of my previous
existence, as she once
claimed. I can almost hear
her now, offering comments
on whatever haiku this Basho
wannabe chooses to show her.
She’s always ready with
constructive criticism and
always ready to criticize my
take on anything to do with
a trip to Nikko and beyond.
Could be...but it wasn’t
meant to be. Call it Karma,
call it fate, call it what
you will. I’m still trying
to find a place for words.
Kegon Falls
water letting go
of water
NOIR
IN THE RAMAPOS
At the northern end of
the clearing the pines close
in and a little further into
the woods there’s something
to be explored which goes
beyond the bounds of normal
curiosity about one’s
neighbors and what’s the
best deal in summer cabins.
When I first run into the
cabin, I wonder why it’s
abandoned. I’m good as the
next man at snooping but no
great shakes as a detective
when it comes to basic data.
The only private eye on duty
here is a bluejay.
sharp and sharper
the needles
between the pines
No one remembers the
murdered or the murderer. I
sit up at night by
candlelight and try to piece
together what happened in
that cabin. I hate
candlelight and wish
somebody would invent
electricity and running
water for mine. From what
I’ve seen of other cabins
the murdered lady’s was one
of the largest and most
modern not to mention one of
the most charming. The
conservatory must have had a
special lease arrangement
with her. It’s in a
beautiful location with some
dramatic rocks in back of
the property. The stones
chosen to line the walk to
her door are covered with
moss. She had a love of
things Japanese. At least
that’s what the moss covered
stones and small stone
lantern say. There are
neckties scattered in her
living room. Was she
strangled with one of them.
Who were they for? A
husband? A son? One red, one
blue. Nice neckties. Canned
goods in the kitchen. Some
utensils. No knives. When I
rented my summer cabin I
didn’t know i was renting a
mystery, thrown in for free.
on hold
I listen to insects
communicating
Local people tell me
they have a vague
recollection of an incident
involving an escapee from an
asylum...some madman on the
loose in these woods.The
murderer must have gotten a
hitch. And he must’ve known
something about the area.
It’s so secluded and far
from any major highways. Who
gave him the ride? The
nearest lunatic asylum is
not within walking distance.
Escaping into these woods
would bring the murderer to
a dead end road and to these
summer cabins.
It’s one of the country
legends that linger for less
than a generation. This area
is a nature conservatory
bordering on Jersey
watershed lakes and forests
and not much in the way of
memory is conserved. Memory
is deciduous and a part of
nature--not only the leaves
in the woods fall away.
mountain mists
keep on climbing
mountains I’ll never climb
The thought crosses my
mind that I might be able to
buy or lease the abandoned
cabin, but no no no. I’d be
hag ridden by the memory of
what occurred there. I wish
I didn’t know. I wish it
were a false rumor. As it
is, in my bed a few hundred
yards away, I get paranoid
enough when thinking of what
could happen in a lonely
cabin in the Ramapo woods.
no consolation in candles
I go out for
constellations
SWAN
SONG IN THE RAMAPOS
You
have to see this, my artist
friend said.
She
lived in a new and pricey
subdivision with her husband
and kids in the foothills of
the Ramapos. Her husband, a
computer whiz, naturally had
the high income to go with
hi tech. As for her, she
could turn every rag into a
kite tail and twist every
scrap of wire into a kinetic
creation. She had an over
abundance of talent but I
sensed a certain air of
dissatisfaction in living
where she was when she
started to talk about flying
lessons and parachutes.
Momma don’t jump, I said.
Just kidding, was her
response. Outer suburbia was
not her fantasy, Greenwich
Village more her speed.
A white soul sister--I felt
for her out in the North
Jersey sticks. But the dead
woods were coming to life
now. The sticks were turning
green.
She
led me down a trail into the
woods behind her house where
budding trees screened an
ice cold lake--a glistening
gash in the woods--sanctuary
for an unexpected guest.
Real poetry, a white
dazzler, had dropped out of
the sky into my friend’s
backyard.
I
can imagine the sleeping
swan floating on moonlight.
I wonder if any film can
capture it. She tells me
she’s tried but its not the
same. The ambience is
missing.
Why
don’t you do a poem about
it? she suggested.
I
can try but I doubt it will
fly, I said, in my best
Jesse Jackson mode.
Let’s call it Yeats, Mr.
Yeats, she offered.
Let’s not. I prefer not to
humanize it. Besides, we
don't know if it's male or
female.
How
about a swan book--photos
and poems? That might fly.
It
was one of those spur of the
moment ideas that will never
take off, but it sounded
good at the time.
The next
time I met my artist friend
I asked her, How’s your swan
doing?
Gone, she
said.
What? It
took off?
No, it’s
gone. Gone to swan heaven.
Seems in
late spring or early summer
the swan grew restless.
Seeking a bigger lake? A
mate? I can see it flapping
its mighty wings, stirring
up the lake, trailing water
beads into the wild blue
yonder.
It didn’t
make it--couldn’t clear one
of those big oaks, got
snagged on a branch and
plummeted to earth in a pile
of glorious feathers.
such an operatic neck
and yet
not a sound
In
its own quiet way--even
dead--a swan is very, very
loud. You know something
great is missing from the
lake, from the air, from
Mother Nature’s own planet.
The mourning doves and I had
something real to mourn
about.
A
mystery had come and gone.
Why this swan, a single swan
passing through? Why was it
by itself? How many days did
it lie there broken? Swans
are supposed to rise above
it all, damn it.
taking off
the wild swan leaves
its last reflection
My
affair with the swan has
never ended, but without the
living swan the lake isn’t
worth a second look. Not
that I’m looking...the
artist is gone, divorced
from her husband and the
Jersey woods. I hope she’s
happier in Vermont or New
Mexico or wherever in some
other state of mind.
The
Vision has gone out of the
subdivision--Swan Ghost Lake
is not on any map except the
virtual map of my own
making.
White
swan, dead swan, ghost swan,
why does it ride me so? Gods
die. Swans die.... This one
weighs on me, like a leaden
winter sky in the Ramapos.
secret lake
a lone swan
deepens the water
JUST
YESTERDAY
Another birthday for
Methuselah. How did this
happen? Used to have
sophomore moments, now it’s
senior moments, and just
yesterday I graduated summa
cum nada. More and more
blank blankety blank
blankout moments. But then
I’ve never been good at
remembering names. It’s
embarrassing, a serious
flaw. I’ll need a hundred
years more to correct it. My
lifelong partner seriously
doubts I’ll have that
option....
found by her tongue
the word lost
on the tip of mine
|
ISLAND
BEACHCOMBER *
There’s a young guy walking
up and down Bluebeard’s
Beach with a metal detector.
I catch up with him and ask
in a joking way: Hey, what
are you doing on my beach?
He smiles and stoops to pick
up a dime. He tells me that
the small change is just
that. No, the real money
isn’t in the chump change
but in the jewelry that
Caribbean tourists leave
behind. A fresh crop every
season: rings, watches,
necklaces, earrings,
especially gold and diamond
earrings. Hopefully one can
recoup the cost of the
detector with a good hit on
a virgin beach. A beach that
hasn’t been carefully gone
over with a detector.
Trouble is the beaches in
the Virgins are hardly
virgin.
Doesn’t it get tiresome
hitting on beer caps?
Sure, but who knows what’s
down there. We all like
surprises in the sand.
How about real treasures,
pieces of eight?
There’s always a chance in
these waters, old pirate
hangouts.
Any luck so far?
No luck so
far--nothing-nada-zip. Not a
damn doubloon.
Bluebeard’s beach
a ghost crab
digs deeper
|
DOLLY
MACARONI *
Curses! Dodder! The leafless
wonder, the vampire plant.
If its victims could scream
no one would sleep day or
night. I get into the fray
with a sharp machete, all
the time knowing there are
vines and there are vines.
This one is a killer and the
cutlass won’t do much
against the multi pronged
attack of a plant that
starts out by sniffing its
victim like a beast. It’s
called spaghetti plant,
yellow strangler, witches’
shoelaces, devil’s hair, and
in St. Kitts, Dolly
Macaroni. Unless you catch
it when it starts,
painstakingly peeling the
vines away, the game’s over.
It grows at an alarming
rate, building up to an
orange yellow mass, a
vegetal conflagration––pasta
gone wild. It starts by
coiling counter clockwise
till it latches on to a host
plant, gets rid of its own
root, and starts climbing
like a snake. If it were an
animal it would be a hydra.
Low level war won’t do it.
Once it flowers and its
seeds hit the ground you
need a flame thrower to
eradicate it. And even then
there’s no guarantee. Sneaky
monster. Its tendrils wrap
around anything––thorn bush,
cactus, monkey puzzle.
Slash, burn, spray, cut up
and crush, smother in a
plastic bag––not much helps.
Its seeds can last from 5 to
20 years or more. If only it
were edible it could feed
the world. No telling where
it will pop up in the next
rainy season. Here’s where a
good drought can be a
friend.
an old glove
in the undergrowth
I have no match
COLD
SPELL IN PARIS *
It’s been
raining on and off for five
days in a row. More gray
Paree than gay Paree. I’m
wearing a red winter scarf
in July fer chrissake! And
my companion needs another
sweater. Incroyable!
But I’ve been here before in
my Sorbonne student days
hanging out with Verlaine,
Baudelaire, and Villon. Bad
weather is nothing new.
“Comme
c’est beau a Paris,”
says the mocking Algerian
desk clerk at my cheapo
hotel. But we agree the
rain’s better than dying in
a heat wave like the one
that killed thousands a few
summers ago.
The sky is primed to rain at
any moment. I hedge my bets,
taking the shortest route I
know past the Hotel de
Ville, and head straight for
the Seine and Pont Notre
Dame. From there it’s a hop,
skip and jump to the
Cathedral to visit my old
buddies, the gargoyles.
I
stop at a kiosk to listen to
a black man with a
loudspeaker and a group of
Africans chanting: LIBERTE!
FRATERNITE! AIDEZ LES SANS
PAPIERS! Police––black
and white––keep a wary eye
on the vociferous crowd of
undocumented illegal
immigrants and their
supporters not far from the
Palais de Justice.
Smashing
thunder, lightning, a
torrential cloudburst, but
the police and demonstrators
hold out till they’re
soaked. Then they run for
it, finding refuge beneath
the roof of the Marché aux
Fleurs, the oldest flower
market in Paris.
Instead of rose windows and
gargoyles we have real roses
and unreal orchids for
company. I can’t imagine a
better place to be
trapped––really not trapped
at all––while a wicked storm
rages away over the Ile de
La Cité.
downpour
over the Marché aux Fleurs
time enough to meet each
flower
BOWLING GREEN
*
It’s around lunchtime in
New York on a gorgeous day
in May. I’m dawdling along
on lower Broadway, heading
towards Trinity Church,
doing some street
photography. About a block
south of the church I see a
black stretch limo with dark
tinted windows idling at the
curb. I wonder what Wall St.
potentate, what high roller,
the car is waiting for, when
a guy in a dark gray suit
comes hurtling out of an
office building and nearly
bowls me over as his
chauffeur moves up to meet
him. The man in a hurry
brushes my elbow with a
get-out-of-the-way attitude.
I step back and mutter,
“Hey! Watch where you’re
going!” He turns and says,
“I wouldn’t be here if I
had....” He smiles and
flashes a V sign, gets into
the limo with the help of an
aide, secret service I
suppose, and heads into
traffic.“Hey, man! You know
who that is?” I ask a black
dude in his twenties coming
towards me. “Sure, we see
him around here all the
time.”
camera in hand
not quick enough
on the draw
Did I say he said
anything to me? Embroidery.
Pure fiction.
But if he had knocked me
down, could I have sued the
ex-POTUS?
Who would be my witness?
split second
still missing
the candid shot
|
CLOWN
IN HANDCUFFS *
High spirits in the French
Quarter. Less than a week to
Mardi Gras. Merrymakers in
pickup trucks toss beaded
plastic throws at sidewalk
crowds––practicing, just
practicing.
A bold black kid points at
my shoes, “Bet you a dollar
I can tell where you got
those shoes.”
“Yeah, I know, I know, I got
‘em on my feet.”
We join in a high five laugh
and he takes his hustle
elsewhere.
I head for Jackson Square to
see if Jackson is still on
his high horse.
Something’s always happening
by the fence around the
square. But why is the cop
hassling that big overgrown
clown? No vendor’s license?
Selling Mardi Grass?
Balloons popping too loud?
Cop takes out a pair of
handcuffs.
“Sorry. I have to take you
in.”
Clown says,” Sorry? You’re
not sorry!” He and the cop
seem to know each other.
The cop calls for a quick
back up. Everything’s on
hold waiting for the squad
car to enter the square.
Nearby a guy in a silver
toga holds a pose on a small
portable pedestal. He
doesn’t move a muscle,
doesn’t wink or
blink.
snapshot
the living
statue
holds the pose for
years
Should I shoot the cop and
the clown, too, or cool it?
A small crowd gathers.
People know the clown. “Hey,
Big Easy, what’s up?” Clown
waves to the crowd. You’d
think he’s running for
mayor.
An artist by the fence says,
“Yo, Big Easy, gimme your
nose, I’ll hold it for you.”
“Thanks,” says the clown,
“it’s OK.” He takes off his
red rubber nose and stuffs
it in his trouser pocket.
The cop slips on the cuffs
and the clown slides into
the police car like he’s
been there before. The lady
selling rings and earrings
takes charge of his helium
balloons. They bob up and
down––rubbernecking tourists
trying to get a better look.
the human statue
poker faced
keeps mum
Behind me I overhear the
tarot reader accuse his
rival of being a psychic
pimp. I ask the
psychic if he knows what’s
happening.
“Yeah, cops always hassling
the clowns around here. I
think they have it in for
clowns. Exactly why I don’t
know. I’m only a psychic.”
He shrugs. “Maybe they just
don’t like clowns from
Oklahoma.”
The clown minus the nose
looks so young. Late teens,
early twenties. I hope it’s
a case of mistaken identity
and not identity theft, or
something more serious––like
stealing someone else’s
nose.
New Orleans Pagliacci
not laughing
not crying
A trumpet splits the air and
the drunken saints go
stumbling in.
CARIBBEAN
BLUES *
for Rodica
at death’s door
the buzzer’s
not working
The last time we saw each
other, she told me I seemed
sad. Well, maybe there’s a
reason. Aren’t there enough
reasons for sadness?
She’s the cliche
psychologist: perceptive and
insightful about the lives
of others but now with her
life at stake, she denies
she’s is in denial, refuses
the normal protocols. Once a
dark beauty, she’s getting
thinner and weaker by the
day--gaunt and frail and too
weak to keep up with the
needs of her tropical house.
at death’s door
the door needs
a paint job
She complains about real
estate people sniffing
around, knocking at her
door,
bothering her. Maybe
if the house was in better
shape and the front door was
freshly painted they’d leave
her alone. Should I
volunteer for the job? Me
and my bad back?
Maybe I seemed sad because
she made me sad knowing that
she won’t be around much
longer, though she doesn’t
acknowledge what’s
happening. It’s
maddening but we don’t
discuss it any more. She
flies back and forth to the
mainland and then dismisses
the most expensive advice.
According to her, the
doctors are incompetent, out
of touch, too Western, or
the personal chemistry isn’t
there. What she needs is a
wonder-working doctor to
produce a tailor-made
miracle for her. Painless,
potent and without side
effects.
Does she have a year or two
left? What are the odds.
When the odds were better
than sixty/forty, she
refused chemotherapy. Why?
Why did she refuse a good
gamble? Threat of baldness,
nausea? The unsure victory
at too great a price? But
what’s the alternative?
There’s something too
complex for words going on
here.
at death’s door
tripping
over the threshold
Her friends talked their
heads off to her. One by one
they gave up. That was some
time ago and now it’s too
late. She plays around with
different diets, with
supplements, with herbs,
what she calls a holistic
approach. She talks about
long range plans to remodel
the house and plant
bougainvillea and oleander,
maybe even cultivate orchids
beneath a trellis covered
with passion fruit. She
talks as if she wants to
take advantage of the
unusual amounts of rain
we’ve been having and I
agree it’s a good thing to
get things into the ground
before the next rainy
season.
at death’s door
the weeds taking over
the flower boxes
I am becoming one sad
disabled enabler, playing
along, though inside I feel
a squelched primal scream in
the face of her irrational
resolve. One doctor tells me
that talking truth to her is
like talking to a cloud. I
find now that I am
inevitably humoring her. The
next time I visit I’ll bring
her a vanda orchid. It
should do well.
Passing by to drop off some
groceries and the Sunday
N.Y. Times, an island
luxury, I look at her blue
front door, the blue color
fading and flaking. I should
go buy a bucket of paint and
do the job once and for
all--bring it back to life.
I’ll just tell her the block
association of local iguanas
has voted me their
representative to paint her
door in one of two
colors--cobalt blue or
ultramarine: your choice.
at death’s door
she opens it
and smiles
Every time I pass her door
it gives me the flashback
blues, and the blues don’t
fade.
VOICE
OF THE TURTLE
Prophecy touches the hills
and valleys.... Snow
helmeted Hermon stands
sentinel in the north.
Clouds white as Arabian
horses whisk through the
blue. The first rains have
passed and the yeasty earth
is spring green. Flowers
spring from every crevice
and niche, heralding the
queen of seasons.
“Mother! Mother! Come
here!” A thin,
lemon-yellow stream flows
slowly over the smooth
sand-bottomed run off
channel passing through a
field near the boy’s house,
disappearing into the mouth
of a pipe under the road. He
stands on the sandy bank
watching the stream. His
mother's hanging
up the early morning
family wash. “What is it?”
she asks, distracted.
“Come see. In the stream.
Look!”
“It’s a turtle.”
“But where does it come
from?”
“From the swamp over there,
that mosquito swamp. Full of
snakes.” She tacks on the
snakes to forestall any
ideas of ill-gotten ideas of
adventure in his mind.
“Have you ever been there?”
“No.”
“Can we go there someday?”
“No.”
Moving at a steady, goal
directed, measured pace the
turtle comes abreast of
them. Its outstretched neck
sways, sensing their
presence. It stops, blinking
a gray lid, wary.
Momentarily the scaly
paddled feet sink slowly
into its body, as if unsure.
The feeble stream flows
past. Green algae and fine
weeds cling to its shell.
Mother and son both stand
entranced.
“There are even bigger ones
in the ocean, which people
eat,” the boy’s mother
offers.
“People eat them?”
She looks around at the
flatland. The black line of
road, trafficless, passes
their small stucco house,
bridges the stream on a
concrete span, and belts its
way through the young rye,
barley, eucalyptus, olive,
and cypress, and stretches
of brush across the fields.
He tugs at her skirt. “Where
is it going?”
“Where is what?” she
mumbles, lost in the day.
“Oh, the turtle. For certain
it’s going to the sea.”
“Will it ever come back?”
“I don’t know.”
The turtle is rocking its
bulk again, moving with a
fat old lady lurch down
stream.
“You never saw a turtle so
big!” he says defiantly.
“Never, this is the
largest.” Gloating, he
starts to speak faster,
keeping an eye on the
advancing turtle, afraid it
will disappear if not
watched.
“Mother! Mother!” Sudden
anguish. “It’s going away,
I’ll never see one again.”
His mother speaks lightly.
“You’ll see another big one
again. You’re young yet, my
dear.”
“Never! I’ll never see it
again. Never! Mother!” he
cries hysterically, “it’s
going under the bridge!”
He’s sobbing.
A brooding sadness settles
over him as he finally
quiets down, breathing in
short, half crying gasps. He
shudders as the turtle plods
determinedly on, toward the
engulfing blackness of the
big-mouthed conduit and at
last, with a shrugging
motion, pulls its hind feet
out of view.
turtledove
repeating its call
too late for an
answer
|
THE
WALL
1945 and the memory is
clear. I’m walking to the
Kotel with my mother. I’m
seven. She says: “Stay with
me. Hold my hand.” My
mother’s nervous for some
reason. We walk through the
souk down David Street. Down
the steps to the bottom,
then we make a right, and we
see part of the Wall. It
looks grey with some
straggly green weeds growing
out of the upper stones.
Another right and we see an
alley that terminates in a
dead end. An Arab stone
house with very small
windows faces the wall and
casts a shadow over the
stifling alley. A few old
men are praying. It’s so
drab. I’m disappointed. Is
this all? Is this the
glorious Wall of the Beit
Hamikdash, all that’s left
of the magnificent temple?
What a dark and dank and
bleak place!
My secular mother touches
the wall. I recall that she
slipped a piece of folded
paper in a crack. What did
it say? I don’t recall the
walk back.
The memory is clear. It’s
1980. The rabbit warren of
houses that encroached on
the Kotel was bulldozed back
in 1967 after the SIx Day
War. There’s a wide open
plaza and the Wall is
cleaned up and expanded and
impressive. My tote bag is
examined by a young soldier.
I tell him the last time I
was here was way before he
was born. He laughs and
says: “Welcome back, you’re
not the first to tell me
that.”
Petitions, prayers, desires,
wishes, bits and pieces of
papers stuff the cracks and
openings between the massive
Herodian stone blocks. A
sort of sacred mail drop. I
can wish but I can’t pray. I
wish I could. It would
simplify things.
I go to the Wall with my
mother’s ghost at my side.
My hand holds onto nothing,
but the memory is clear.
Narcotic, abrasive,
intrusive, hypnotic,
eternal––the call to Muslim
prayer somehow sounds older
than the older Hebrew
creed––la illah illallah
floats in the air over shma
yisrael. For a secular
soul the idea of a Deity
just doesn’t compute, but
here it is the only idea.
taped call of the muezzin
the Wall still warm
from the afternoon
sun
the sun going down
the orthodox in
black
cast a darker shadow
touching
the warm Wall
touched by the stone
* Haibun previously
published in Frogpond,
Modern Haiku,
and Contemporary
Haibun.
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