.
David Gershator





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 HAIBUN

A literary
form originating
in Japan
combining prose and
haiku.

For haiku combined
with images: HAIGA

For haiku, senryu,
and tanka:
HAIKU





WAT PO
Superfluous
hurricane haibun



BANANAS

bananas at hand
half the hand
gone

Last time I checked, the rats had gnawed through the unripe fruit, leaving only hard green shells behind. I try bagging the young bananas in plastic bags….

from vine to vine
Norway rats
know the ratlines  

Rat poison might be the answer, but what about the mongoose? Will it die, too? I suppose the iguanas won’t mind if we fight the good fight and get rid of rats AND mongoose. Both love iguana eggs.

hardware store
holding life and death
in my hands




MOTHER’S DAY

The beautiful spring day the doctor finally took her into his office and broke the news: diagnosis CANCER, I drove her back home from Albemarle Road through Prospect Park and up Washington Ave. She didn’t want to talk about the diagnosis or about anything. I didn’t know what to say.

We drove by the Japanese Garden--her favorite spot in Brooklyn. The cherry blossoms in full bloom. She was always religious in the observance of cherry blossoms. I suggested we stop and look around. “No, not now, just take me home.” She was sitting in the front passenger seat. If ever there was a death seat that was it.

When I finally visited the Japanese Garden by myself I had some disconsolate  comfort in thinking it was closer than the cemetery and meant much more than a grave on Staten Island. The cherry blossoms were long gone and I’d forgotten to bring bread crumbs for the ornamental fish that really didn’t need my crumbs...

Japanese Pond
on the surface
nothing’s changed




APRIL'S DAUGHTER

My daughter, born in April, called me yesterday evening to list the flowers open or soon to open in the Brooklyn Botanic Garden. And what crowds! Hasidim, Asians, Blacks, an ethnic and global mish mash, and in the pond a pair of egrets. After the excitement of the flowers she confessed to an onset of depression. She had spent many childhood days by the Japanese pond in the company of grandparents and felt bent out of shape spiritually and emotionally by time and loss and everything changed and unchanged in the eternal garden. Welcome to the club.

She's leaving her twenties soon, and me? I'm having her thirty year crisis. Last year she found her first gray hair. I tell her about her grandmother coming here as a young woman--and coming here as an old woman, especially in the spring.

Once, before we left the park, my mother said "Wait." And I waited as she counted the pond's seven ducklings to make sure they were still seven and not one missing to some submarine turtle. This was our last outing in the park. The last count before her last May. The ducks are still there--my daughter's turn to count. April's daughter, bonjour tristesse.

we used to meet here
every spring
we still do



IN THE GARDEN FOR THE BLIND
          Brooklyn


in the garden for the blind
a child yells
look! look!

I guess we all belong here, metaphorically at least. The sudden disturbing awareness in the sense of loss and the loss of the senses is embedded here in braille. The pain I imagine of perpetual darkness in a beautiful place casts a temporary shadow. But kids will be kids and they're all eyes around me.

playing at blindness
my children
feeling the leaves




OMAR
or ANY HURRICANE X


Omar quickly grows from category one to two, spinning out of the Caribbean from west to east instead of east to west. Go argue with the wind! Tell it it’s going in the wrong direction. Tell it the season’s over. Tell it Hurricane Thanksgiving’s only five days away.

Projected path looks bad: a direct hit at night, maximum winds at 4 a.m. Rush of dread and doom. Sinking feeling in the gut. Been there. Did all five categories. Worst case: losing roof, no power, long lines for gas and food, months of candlelight dining on sardines, dealing with FEMA. The thrill is gone.

Saw, drill and hammer--here we go again.

worn out screw heads
I drive them home
anyway

Exhausted and resigned to the worst, I don’t listen to the latest coordinates on the transistor. I fall asleep, maybe 1 a.m., to the sound of gusting rain, outer bands advancing. Crowbar’s by the door in case we’re trapped.

long night ahead
one flashlight
already dimmer

Waking up to take a leak, I don’t hear the wind. Roosters crow. Wife’s watch says five past five. Are we in the eye? Did Omar stall to the south of us? Is it gathering strength?

waking up
to moonlight
still in the dark

Roosters crow again. It dawns on me at dawn that we might have lucked out. Radio confirms hurricane surprise. It attains category three but veers off into the Atlantic, sideswiping the Virgins. Down by the shore, twenty foot waves, long distance emissaries of Omar, explode over rocks and smash against sea cliffs.

Power back on I take down plywood boards and open the windows knowing that for now I’m free, home free! Free to believe in miracles, free to write hurricane haiku again, free to give a damn about the elections in November.

wave after wave
tearing up the coast
foam flying

                                                                        St. Thomas 10/16/08  



DIAGNOSIS: POST TRAUMATIC STRESS

The hurricanes caught up with me. Sudden chest pains. Crushing unendurable explosive heart bursting get-it-over-with-already pain.

ER nurse
drawing blood

hovering mosquito


THE LAST WORD

My father died in his sleep, died in his dreams, and I was far away. His last spoken word to my wife was Tylenol. In dreams he still makes me laugh. A character. A European charmer when he wanted to be. Multilingual. And vain about his good looks. Dying in his sleep was one of his luckier moments. It's a dark truth, but after following his example and mastering so many languages, I'd prefer my famous last word to be generic. Ibuprofen or some other such profanity.

chest pains—
time for one more
death poem?



 
KING OF THE MOUNTAIN

 
Whoever owns this acre is king of the mountain. The property has a stupendous 360º view real estate ladies would die for.

I bought the wild wooded acreage from a drug dealer years ago. I caught his ad by chance in the newspaper. He was a hip, cool guy and needed to raise cash quick. Said he was eager to go to New York and become a big time dealer--in diamonds! He had it all planned out. He put it this way: “I ain’t gonna deal with the New York mob. Mafia’s bad news. Too dangerous. I’d rather deal in diamonds with the Hasidim on 47th street. If I get into trouble, they're not gonna kill me. Not their style.”

He came from an old island family, was fast talking, confident, and had a few college credits behind him. Maybe he could make it in the Big Apple.

His grandmother didn’t want him to sell--land is precious: “Hold on, me son, hold on.” But for him the land was just a temporary hold, no belonger’s heirloom. No real blood connection. And he was hell-bent for New York. We made a deal and shook hands in the shade of an old jumbie tree.

A few years later at a local watering hole, I heard that my diamond dealer wannabe never made it to New York. He currently resides in the Paradise Penitentiary doing serious time. Poor SOB got drunk one night and went nuts in a brawl over a woman--smashed his rival’s head in with a baseball bat. Ordinary crazo manslaughter. In Martinique it would be a crime passionnel.

He’d gotten all sentimental the first time he showed me the property and confessed he used to bring a soft drink or a bottle of rum to the summit. He’d sit on a rock and meditate like Rodin’s thinker.

I do the same now. And I think about my dealer guy. How is he doing? His fate casts a shadow among shadows at sundown. It’s tough to be a prisoner in paradise, but if you have the right contacts to cut a deal with a coke sniffing governor, you might score a pardon.

thick undergrowth--
the thorns guarding
the wasps

Clearing a path with a machete, I realize I’ll never build anything here. It would make me bleed all right. Too many bites and scratches. Too much time and money. But at one thousand feet above the Caribbean, I’m part time king of the mountain--and part time caretaker for a couple of wild goats, green iguanas, and countless anole lizards battling over territory.

green on green
the last of the parrots
disappear

On the summit, I kick back among giant boulders. It’s my island ritual, my geologic mystery religion. How did these huge boulders get up here? It’s hard to imagine the volcanic upheavals that pushed seabeds into mountains, and while I’m wondering...I wonder when my diamond dealer‘s going to get out. I wouldn’t be surprised if he comes up here again--trespassing on his one time kingdom and making an offer I can’t afford to refuse. I’ve lost some sleep over this. In the islands fiction can become non-fiction much too quickly....

planted by my own hand
the bayonet cactus
draws blood




CARIBBEAN CATCH

From the back of his pickup in Market Square,
a Frenchie fisherman blows his conch horn.
This morning’s prize: a baby grey shark.
Or is it a teenager?

Conch horn calls.
Folks gather ‘round to ponder the usual pot fish––
yellow tail, porgy, old wife.
Who wants to buy some ciguatera?

Conch horn calls again.
Men just hanging out, limin’,
give the conch a try. Huff and puff.
Bust out laughing at a mouth fart. 

Parrot fish, grunt, red snapper, grouper.
I hesitate to ask a neighbor what’s safe in this fishy rainbow.
The so-called baby grey shark is not for sale.

fish going fast
last ice cubes
faster





DOWNTOWN VILLA   

We renovated the house, a charming West Indian villa gone to seed. From our perch over Back Street, close to the narrow alleys of Savan and the Red Ball Grocery, we could hear the fisherman’s conch horn blowing on Friday mornings at Market Square. The neighborhood was old-timey that way, but times were changing too fast, especially with crack and AIDS and violent crime. It was still homey though. We got to know the criminals’ moms and sympathize with them, held community meetings, tried to organize the neighbors. Pestered the government for a NO DUMPING sign and street light repair….

gunshots
with and without
the full moon

Should I mention some of the adventures with tenants we had, like the nice southern white boys who couldn’t get a good job and got pissed at the island and took it out on their apartment, carving four letter words into the old wood floor. Spraying the rooms with shaving cream and pouring ketchup all over walls and floors so it looked like mayhem and murder at first bloody sight. Or the deadbeat attorney we had to take to court over his unpaid rent. Or the girl who saved her garbage, hiding it in the house day after day, for months. Or the drug dealer and strung out zombie girlfriend installed by a middle class matronly lady who claimed he was her employee, a naval engineer. The police befriended him, accusing us of racism, till another tenant, black, entered the fray on our side. (We found out too late the drug dealer was notorious––”You let Smokey move into your place?”) The carnival of crime was getting worse––and the police weren’t stopping the carnival. The stake out we encouraged was enough to cause a cop’s resignation, fed up with corruption…or fearing for his life?

Then the icing on the cake––a repairman accidentally dropped a heavy hurricane shutter on me from the second floor. Did he stop attending AA? Missed my head by an inch. Knocked me flat in the gutter. I knew then the house was trying to kill me, spiritually and literally.

gunshots
I stay away
from the windows

The two white putti made of concrete over the arched wrought iron gateway gave the house a note of elegance. I cursed them out. They didn’t dare talk back to me––I’d knock their blocks off. They were so chubby, cherubic, angelic, innocent. Doll-faced devils in disguise. They fooled us into investing time and money in a pile of masonry, a white elephant surrounded by a veritable open ward.

shooting me
with his index finger
the island crazo





CATFOOD


Linda, alias Diana, would do anything for animals. Men included. But there were so many transients in Linda’s love life. Lovers were gone as suddenly as they arrived. Fly in, fly out, it seemed, just like the snow birds every year.

Linda’s living alone these days, with her ponchos and silver jewelry and leather hats and sandals. They’re all homemade, as is Linda.

“Don’t call me Linda this evening. When the moon’s on, call me Diana.”

O.K. by me...Lindiana. Wow, if I repeat that several times--Lindiana Lindiana Lindiana, breathe it softly, murmur it, worship it, I’ve got one hell of a good working mantra. Oh, Lindiana, you transcendental implication you!

She leans on my shoulder, brushes the hair from my cheekbones, and whispers, “I’ve got a new pet. Want to step into the backyard and see it?”

There were cats and kittens and misplaced babies in her life. I suspected she’d gotten a German Shepherd, the kind you put a saddle on as they snarf around with their killer snouts in your groin. “No, I don’t want to see your new pet.”

“Come on, I’ll introduce you to my view too. There’s a nice harbor. A chain of hills. I know you like hills, bought them especially for you.”

She flings open the back door. There’s the view––and lizards, kittens, parrots. And a big cat. Lying lazy, tawny. The cat gets up and stretches.

“I hope you fed her lately.”

“No, you feed her.”
“But I don’t have...,” I start to say.

The lioness yawns and looks at me, interested or hungry I couldn’t tell. I back up to the door. I feel a cold, wet something shoved in my back.

Linda laughs. “Here’s some meat. Make friends. Toss it to her and she’ll love you. Just like me.”

Grateful, I take the meat. The cat gets a whiff of it and ambles closer. I chuck the chuck at her. “Go meat! Make friends!”

Linda’s love life––I never questioned it before. And I won’t question it now. She has her way of doing things.

only room
for one cat
suddenly there are three



CARIBBEAN QUARTZ *


There’s a new bulldozed road cut into the hillside across the valley. With the new road will come new buildings on half acre lots. Every time I see a new road I have to explore it--and not just because it’s new. I have an ulterior motive. With luck I might hit upon an outcrop of gem quality quartz. The island chain of the Lesser Antilles is known for its tectonic dances and pyroclastic cocktails. Here in the Virgins, twenty million years ago, veins of quartz were squeezed into fractures and fissures under explosive pressure. Good old igneous intrusions! Some hills are shot through with them.

The bulldozer has exposed quartz formations alright. I claw at an outcrop to loosen the dirt––and broken milky chunks with small crystal teeth.

Back home on my side of the valley I tell my beer, football, and NASCAR loving neighbor about the exposed quartz. A few days later he shows up at my door with a perfect two inch crystal. He has it mounted on a golden necklace as a gift for his lovely young wife. Young wife, perfect crystal, what more can a man ask for? Should I be jealous? The marriage, of course, doesn’t last. He’s into coke: acts out, becomes erratic, schizoid, hostile. Who said good stones make good neighbors?

I revisit the site and try my luck again--find nothing except a bulldozer clanking away at another cut. But where there's a fresh cut, there's always hope....

bulldozer road—
a flattened iguana
bakes in the sun






HAKONE


    I wanted to see it in person, not just on a shopping bag, matchbox, soft drink, neon sign. According to a brochure, there is a magnificent view of Mt. Fuji from Hakone, near the famous five lakes.
    Took a round trip train on Tuesday.
    Overcast sky….

    Onward! We’ll catch a glimpse through the clouds!

impossible Fuji
so close so close
the rain even closer



JAPANESE GARDEN

                                     Brooklyn
                 

Admiring the lake with my Number One wife on one of the twenty days that cherries bloom, an elderly Japanese gentleman appears out of nowhere and vows--"It's one hundred per cent.” With this ringing endorsement, he walks off towards the pines, having personally vouched for the culture of Nippon.

Little did he know it was our personal lake, our home pond, our home pines, our Far East, the fastest trip yet—we lived across the street. And he told us what we knew, though we appreciated his comment one hundred per cent.

cherry blossoms
past their prime
who am I to complain?



BROOKLYN BOTANIC GARDEN

My parents came here every spring. It was our city Walden. I'd meet them at the gate with its iron rotating bars permitting mortals entrance to a place far from iron and steel. We'd come to admire the cherry blossoms, the tulips, sometimes catch daffodil hill in full daffodil delirium. A timeless vision in a city beset by time.The essence of evanescence. A green island.

at the garden gate
my dead parents
comment on the blossoms





BROOKLYN BOTANIC GARDEN: RETURN VISIT


The garden's the next best thing to a "memorial park" without tombstones and a place for living and growing encounters with everything déjà vu. Though I know all the pathways and walks and views by heart, if I visit it's to pay my respects to what was, is, and will be. The garden is a way of knowing--a sort of sacred ground possessing meanings and shades of meaning...and a new déjà vu. 

shades in the shadows
invisible
to any camera

heron stalking the koi
photographer stalking
the heron




CRUISE SHIP* 



sigh of relief
from the ship’s doctor
no refugees in sight

The ship is on a round-the-world winter cruise. I’m part of the entertainment: lecturer, complete with tuxedo and cummerbund. By chance I’m invited to dinner at the captain’s table. What would we do if we ran across refugees? We’re traveling in international waters. I’d like to ask, but who am I to question the captain.

Everyone on board is sick with the flu, including the ship’s doctor. The nurse, my pal, gives me all the pills I need. Next port of call, I jump ship and head for Katmandu, as far from the sea as I can get.

black body bags––
uneaten dinners
bobbing in the wake




PO LIN MONASTERY

Po Lin Monastery is home to the biggest Buddha in the world. It’s located high in the forested hills of Lantau Island near Hong Kong. It was still under construction in the early 90’s when I saw it, seated in its classic lotus pose, majestic and serene, nearly invisible in the mist. The fear of some, and the hope of others, was that it would become a sort of Disney attraction. The monastery was already used as a frequent movie set. The mountains and mists were mesmerizing, my knuckles were white….

blinding mist
cliffs on either side
the bus driver steps on the gas

Mangy dogs led the way to the temple gate and hung around while we ate a communal offering of rice and mushrooms.

burning incense—
forget the josh sticks
not a dry match in the mist

Looking back from the bus when we left, I caught a glimpse of the Buddha high on the ridge, briefly illuminated in a shaft of light.

sun through the mist—
dragonflies flash
over the lotus pond



THE BOXERS

Leroy Thomas...thanks for making me a part of the block in one minute flat.

New to Brooklyn, via Egypt on the first civilian ship to cross the Atlantic after WWII, I was bringing down the garbage from our fifth floor tenement. As I stood there wondering which can to put the garbage in, Leroy came over, demanding, Hey! You want Joe Louis or Billy Conn?

I didn’t know what he was talking about. Who is Joe Louis?

You don’t know Joe Louis? Man, let me tell you, he’s the best boxer in the world.
No, he isn’t, says Sheldon, a short white kid.
Say you want Joe Luis, says Leroy.
No, say you want Billy Conn, says Sheldon.

Leroy was more passionate and bigger than Sheldon.
Joe Louis, right? He’s gonna win tonight. He’s bigger, stronger. He’s gonna knock out Billy Conn. Bam, just like that!

Of course I chose Joe Louis--and made my first friend in Brooklyn.

Leroy let me put the garbage into one of the line of cans on his side, the left side of the double tenement. He showed me the cans on my side of the house for next time. His side was black, my side white and Puerto Rican.

I thanked him and went upstairs having made friends and learned about an exciting fight. Joe Louis won and I won too. Leroy, thanks for giving me a clue on who’s who.

Your hero is my hero. Good ol’ Joe Louis, my first American hero. The second would be Jackie Robinson after I’d grown a few inches, learned about baseball, became a Dodger fan, and cut out a newspaper picture of Jackie to paste it on the wall over my bed.

Since Leroy lived next door we became sparring partners when some distant cousins gave me a gift of gloves. We sparred on the roof. Dangerous place if you got close to the edge. It was too easy to fall out of the ring and into eternity. We had to trust each other to back off as we punched and jabbed near the edge.

If you fall out of the ring you’re dead--no parachute can save you from five flights down and lights out. I’ll never know how we managed to stay on the roof. This can definitely be a posthumous story. Soon enough it will be.

Half a century later I wake up flailing and jabbing. Pulling all punches and breathing hard.

punching the air
I shadow box
with an unknown boxer


MAKE-A-WISH

The fourteen year old with terminal cancer has accepted her fate but now has her parents to deal with. She's coping, they're falling apart. She tries to hold them together, she tries, she's the coolest with a high five in the children's ward. She tries, but confesses to another patient, "Sometimes I wish they'd stay away. I wish they wouldn't come."

on hold...
wishing for
a different music
NY, 200l, rev. 2017



NOTES FROM THE CANCER WARD

Context: a stressed-out spring in Sloane Kettering's cancer ward for my wife's operation. She had the operation to save her life and somehow I too survived it, and the post operation, and the all star cast of big chief doctors, Indian interns, West Indian nurses, the poster boy nurse, the visiting musicians, the wicked nurse who looked at the charts but couldn't see the pain in front of her....

waiting
reading donors names
on a wall plaque
waiting

cancer ward                                                  
nurse taking
a cigarette break

cancer ward--
bald headed women
talk cosmetics

cancer ward--
the doctor looks
too healthy

cancer ward--
nuclear medicine lab
nurse
so radiant


cancer ward--
plucking dead blossoms
off the gladiolas
 

cancer ward--
female corpse
walks with the IV
is that my wife?

in the doctor's office
the bad news
such good news




WILDCAT STRIKE  

The grave lay open. We take turns throwing dirt into the hole. We’ll never fill it at this rate. I ask a striking gravedigger if we can borrow a shovel. OK, he says, and watches us cover the coffin as he eats his lunch. It feels good to be alive, to be physical.

If we betray the dead, it’s for the sake of the living....

tossing dirt
on the plain pine coffin––
she wanted cremation




WHITE KNUCKLES OVER PUERTO RICO

Trying to land in a heavy rainstorm, the pilot guns the engines and aborts at the last minute. We circle and keep on circling until permission is granted to try again.

news flash!
what a relief to hear
the call of the coquí




ANGEL

The prison system let you out on parole. You did your time, I don't know for what. Maybe you hurt someone, maybe you hurt yourself. I suspect you know how to hurt yourself best.

The Last Poets, an electric energy black power group, came to the Seek Program  on 72nd Street. You sat beside me, a long ash dangling from your joint, talking poetry and rock 'n roll. Your hand, trembling, holds the joint. You tell me you're not doing hard drugs anymore, not that I asked. Of course, I don't believe much of anything--your story or anybody's. Unarmed armed robbery? Faking it and taking a real bullet for your trouble? I take that with a grain of salt, a thick grain of salt, like what you spread on the sidewalk for snow and ice.

Prison is another story that weighs you down, pushing twenty nine on a cold cloudy day. Ol' Angel in need of an angel to help you straighten out and fly right. Angel in need of...what? Attention, discipline, love, medical care, you name it, and poetry too. I have a hunch, a gut feeling, a sad feeling, a can't sleep easy feeling I'll see you dead before I'll see you fly. Wish I could be your angel but I know better than to mess with angels. I'm earthbound. I use the subway. I don't have wings. I've got two kids and a wife, enough said. At the end of the day I'm lucky if I have a few words left for poetry or passion.

What a shock to see you alive and happily dancing merengue at an uptown fiesta, Angel. But that's just wishful thinking.... You danced into a dream last night with a joint in one hand and a bottle in the other and pretty boys or señoritas in drag around the floor and you had red pages of poetry in your mouth like a dog and you tried to recite them, trying to bark them out.

Thirty years and I'm still haunted by you, Angel. I hope you didn't end back in the joint.

more than my fingers
those I can talk to
only at night





WILD PARROTS

A few years ago the dry forest hill we live on was host to a flock of parroquets, the local yellow, green, and blue parrot. There were about a dozen members of the raucous gang wheeling around the hill, a cheerful flashy bunch, not the talking kind but noisy enough. There weren't many houses in the area then; now, more and more slashing, burning, bulldozing as houses encroach on the green hillsides.

distant thunder--
carpenters
hammering faster

We're glad to hear the parrots when they return to feast on the red berry trees and congregate in the acacias, but fewer and fewer return. Last year we only counted three. So far this year, two. Countdown to oblivion?

The three to four foot bulging brown termite nests in the branches of the  turpentine and flamboyant trees are part of the story. It's supposed to be a secret that these island parrots lay their eggs inside termite nests. The warmth from the nest hatches the eggs--a natural incubator. If the termite nests go, so do the parrots.

old sketch pad
termite trails
cut through the scenery

Today I spotted one parrot sitting quietly on a treetop as it surveyed the hill. I hope it still has a mate. The single's scene on island can be tough.

preening in silence
the last
of the wild parrots?




BERKELEY BABY

                 in memory of Dr. Josette Langenheim


crab apple tree
overhanging the cottage roof
I wait for the windfalls

She comes roaring in past midnight a short time after my call. Did I call too soon? Is it a false alarm? She assures me it’s the real thing. She brings an oxygen tank, takes out a paperback, The Guns of August, starts reading. We settle in for a long night. I try to nap between contractions.

My partner has odd dreams. In one repeated dream she gives birth to a Galapagos turtle. In another she dreams of five stones.

Don’t know how far the Alsatian doc got into The Guns, but after a few blurry hours on the front lines, she says everything is on cue.
Look! The baby’s crowning.
Just about daybreak she delivers the slap that starts the birth cry, hands me the baby, says Congratulations. That wasn’t hard was it?
No, not very.

Her fee is so low.
Same for a boy? I joke.
Doctor doesn’t smile. I feel like a jerk.
I hand her the check and offer to make eggs for breakfast.
She declines, revs up the motorcycle, and heads for the hills.

Three old ladies living in the corner house bring us a special gift--a pile of boiled rags. How’d they know? Seems they’d seen and overheard the news from our small cottage. The lights on all night. The doc on a bike. The cries of a woman in labor.

I know about the afterbirth, but meconium? What a surprise!  
What else don’t we know? Everything is makeshift and ad hoc. We have a cardboard box for a cradle. Too small for a Galapagos turtle. At most maybe a clutch of turtle eggs.

crab apple bounces
down the cottage roof
too early too green




FOG


Visiting a friend in Berkeley after a cross country flight, I don’t fight the desire to stop moving and get my head back to normal. The fog puts a damper on everything. Let it do the same for my N.Y. brain. There’s hardly any wind.

half asleep
in the fog
wind chimes

At the front door big snails slide across the welcome mat. They have their history. The welcome mat must be the snails’ palimpsest. Jet lagged I close the door on Berkeley fog and close my eyes.

the fog too thick
to see my way
to goodbye





BATMAN AT THE BATTERY


The line to the Ellis island ferry is way too long. I give up. I don’t feel like going through heavy empty-your-bag-please security. Not today. It’s too beautiful. Too perfectly perfect. Let’s not spoil it with security.
 
homeland security
seagulls on patrol
from island to island

A Statue of Liberty motions to me to come on over from on top of a stepstool as he confers with another Liberty statue. There’s a gang of four Liberties working the park for picture taking tips.This is poetry territory. Liberty statues in drag. Kitsch with meaning. Hey, Walt Whitman! This is your meat and potatoes. Come catalogue the crowds.

On a footpath near the ferry terminal I spot a comic book character come to life. Aloha, Batman. A wide eyed kid asks “Can Batman fly?”The boy’s lollipop-sucking family crowds around him.

Batman strikes a pose
cameras flash
pigeons take off

It’s not often I get a chance to get close to a superhero in full regalia. Wonder if he bought it off the rack or had it made to fit.

And here he is, Batman himself, collapsing next to me on the park bench. He’s been on his feet working the crowds all day. “Time out?” I ask. He slouches down on the park bench and responds with a well rehearsed line. “There’s never a time out from fighting crime in Gotham!” Well, yeah, of course, but I reply to his masked face, ”You look like you need a break.”
 
He confesses he’s been very busy, overworked, but he doesn’t need any Robin for a sidekick. Why split the kitty?

“What if someone wanted your job?”
“It hasn’t been a problem so far, knock wood,” and he tapped the bench. "Not a bad day job."
“What do you do at night.”
“Ah, don’t ask, that’s another story.”
At that point I really wanted to ask, but a child comes up and wants his picture taken with our hero. Batman graciously complies and after five minutes he’s back on the bench.
I ask, “Whatever happened to Superman?”
“Must be on the unemployment line. No movie. No TV special. No hype. Nobody misses him yet. Not even Hollywood.”
“So you’ve got the Batman franchise.”
“Yeah.The park is mine. If Superman makes a comeback I can always switch costumes.You don’t need acting lessons for this gig. It’s not Shakespeare.”
“Aren’t you supposed to wear a cape?”
“It’s at the dry cleaners. Thanks for reminding me. We had an accident with a kid’s ice cream cone. Beware of toddlers with cones.”

So much activity going on: sailboats, helicopters, laughing gulls cackling, pigeons flying, and one more Liberty guy climbs on top of his portable pedestal and gets ready to raise his torch for a buck or two. 

Me and Batman, park bench buddies, watch a packed ferry coming in. Batman picks up his satchel and puts on a crime-fighter’s voice: “I must be off! There’s work to be done!” I throw him a salute goodbye. He sees me but of course I can’t see him. I’ll never know who I talked to....

Halloween in July
Batman’s
Southern accent




THE MAN FROM ABU GHOSH


        David Street was pretty much deserted even though it’s the main access road to the Western Wall. I followed a fat woman heading for the souk with an old fashioned scale balanced on her head, admiring her poise and nonchalant style.
         ”Hey, you, you chosen beoble?” A short stocky man ran out of a souvenir store, shouting at me. “Explain me what means chosen beople.”
            Looking back, I could’ve played a Christian tourist or a Bahai or just another tourist from Atlantis and avoided his question altogether. Instead I answered, "We've been chosen to suffer.”
           He wasn’t satisfied with, I admit, my hokey answer, but what can one say to an off the wall guy with an off the wall attitude? When a woman passed by with a hound on a leash, he shouted at her, too. “What do Jews like? Do they like beople? No! They like dogs!”
          I interrupted his tirade him with a question of my own. “Where do you come from?”––a personal question to throw him off balance.
       Turned out he was a poet from Abu Ghosh. “I have a boem,” he said, launching into a passionate torrent of words:
There’s no rain
but my outstretched hand
would hold on to a clod of crumbling earth
no matter no matter who or what
no matter if it doesn’t rain
for a hundred years
my hand would hold on  hold on....
      “That’s good,” I told him. “Publish it.” He was surprised by the unexpected praise. He calmed down, smiled. Ah, yes, a fellow poet––hungry for a good word!
       The store owners came out and led him back inside. I could hear them  reprimanding him for driving away potential customers.

      I’m sorry I don’t have his name and address. Still, I could try sending him some poetry books, care of Abu Ghosh. After all, how many village madmen and poets can there be in such a small town?
      I'll have to let that question ride....

mixed body parts
Jews and Muslims
in a plastic bag



CAVEMAN
           Niaux caverns


At the flick of a switch, time collapses. A guide’s torch illuminates the interior decor: bison, ibex, horses, deer, long horned aurochs. We are interlopers in a shaman’s secret domain, cold, damp, echoing.

hands
on the wall
shadow of my hands

Hunters and hunted, red, black, ochre in the flickering light. Watch your step the guide warns. It’s slippery. Treacherous.

infant’s footprint
embedded
in the cave’s clay floor

The Cro-Magnons were on to something. They had tools, art supplies, a reverence for art for life’s sake.

Niaux
twelve thousand years
without critics

Back in dazzling sunshine the interior revelations linger. Time flies.

grasshoppers
now a leap
then a leap




CURIOSITY

A feral cat with its head stuck in a small glass jar comes out of the woods. How did it win this prize? Some gifted people have the knack of calming a wild cat, but I’m not in that magic circle, and if I could somehow smash the jar with a claw hammer, I’d probably injure or kill it. Nine lives? I doubt it. This cat in a glass jar will die of starvation. Now, as it slinks silently back into the woods, I own its misery....

cat news
lining the cardboard box
with obits




BERKELEY POETRY*

               for Julia Vinograd

Rainy day in Berkeley. I duck into Cody’s on Telegraph Avenue to look for the Bubble Lady’s latest chapbook.
 
As I go down the aisle, deeper into the poetry section, the building starts to dance and shake. Books drop from the shelves. How can I brace myself for the megapunch? Berkeley’s overdue for the Big One...but it’s only a relatively minor shake. Probably only a 4 point something on the Richter scale.The roof doesn’t cave in, and I walk out of the poetry section in one piece.

Poetry can be dangerous! I could have died in there under an avalanche of verse, not a fate I aspire to, even though, ironically, it is a goofy, poetic way to go. Next time I see the Bubble Lady I’ll tell her that I nearly died for her sake and that she should blow some extra special bubbles for me--bubbles easier to chase down than poetry books in the earthquake section of Cody’s or rainbows hanging out over Telegraph.
 
waiting to be picked up
at Sather Gate
a bluejay’s feather



 
PANIC

Woke up in a panic, breathing hard, breath after breath. Involuntary yoga.

The day I die I know I won’t be ready. I won’t be satisfied with the day or the timing. Too much left undone. I won’t be satisfied with life or death. I won’t be satisfied with any death poems I’ve written, with any I might be tempted to write. Famous last words or last emotion too pathetic, even if they’re not meant to be.

The Japanese write ”death poems.” Jisei. Brief words, stoic tanka and haiku. Space and time and all of life resonating in a handful of words. All of life? One thousand paper birds was a magic goal.

jisei
counting and recounting
the paper cranes


Time for famous last words. The storm is coming. Hurricane jitters. Unplug everything. The storm is coming. It’s always on the way. Anxiety, depression injury, heart attack on the menu. If I’m going to lose the roof, let the beams fly back to the forest where they came from. Last minute running around, popping old buttons the least of worries. So what if we lose a shirt? I suck up the air in expectation. Take my chances, Wait it out. Sit in the dark. Put the fear of death into life poems, put some life into death poems. It’s going to be a long night.

whose got the button?
threading the needle
by candlelight

                           St. Thomas, VI, 2008


JISEI

Jisei, death poems, zen truth or zen kitsch. Earnest, heartfelt sentiment at the time of demise or words prepared in advance for the occasion. At the point of death there are always last croaks. What can I say? Whoever, whenever, wherever--if death is your daily bread, take it with a grain of salt.

floppy rag doll
the corpse I carry
over my shoulder




CARIBBEAN WAR

I nearly died on the hillside.

Out of sight and downwind from the house, no use yelling help if I’m in trouble. The neglected grounds belong to insects, small anole lizards, and iguanas, and I stumble into an unexpected war with the root of a large ketch-n-keep, a nasty bramble. The monster plant, a contentious animal, a creature of multiple tentacles and grasping thorns, has me sweating, panting, heart pounding. I’m scratched and bleeding. I want to kill it, and it’s taking revenge. Dizzy, nauseous, I sink down on my knees. My mouth is dry. Dehydrated. Sunstroke? What if I pass out? Dumb way to go!

I crawl toward the shade. Next move, the nearest faucet. Still shaky I creep uphill, cursing the root and the consequences of victory.

among rain lilies
dozens of thorn babies
sprouting




HURRICANE MARILYN

After my front roof blew off at five past midnight, the sky falls in and for the next two roofless weeks there isn’t much space or place or time to write more than a brief note. But amnesia might help get through this numbing period. Numbness has its own rewards after those moments of panic in paradise with the wind belting the house harder and faster than 200 mph, pounding it repeatedly, those moments when it shakes and shivers and finally rips apart and there is nothing but wind and primal chaos, nothing but senseless hope against hope to hold on to. Those moments come back in the night, willingly or unwillingly. Whether wants to or not they return. I wake up gasping, looking wildly at the ceiling until the walls and ceiling fall into place, until they stabilize before a wind driven gaze-in-a-daze.

Across the valley a young girl survived the night cowering in a bathtub. A couple I used to wave to on the road jumped into black plastic barrels when their roof caved in. They disappeared after the hurricane. I see them still, heads down in the barrels… or peeking out…. Most fatalities were in the harbor, experienced boat people trying to ride out the storm.

high on the beach
a single sandal
rides the drying seaweed

I hesitate to ask people about their traumatic experience, not wanting to trigger more nightmares, but some eagerly ventilate. Others keep their own counsel.

utility pole down
the songbird’s silent
on another line

Scrounging in an abandoned house for materials to help rebuild, I find a usable door. The bank had foreclosed the house a month or so before the hurricane. It was completely trashed and vandalized by the blasting night-long wind, ten hours of wind and water damage.

in the rubble of a friend’s house
a dry book
How to Meditate





BUTTERFLY DECEMBER

The prolonged drought in the fall of '94 decimate the wasps that feed on butterfly larvae.

after morning rain
the white white noise
of swarming butterflies

making up
for the long drought
a blizzard of white butterflies

in a riot of butterflies
even police cars
slow down

writing about butterflies  
distracted
by a mosquito


No one in living memory has seen so many butterflies. Snowed under with them, day to day, dawn to dusk. The story hits the local Daily News.

nothing happening--
except the dance
of ten thousand butterflies

total strangers
only butterflies
in common

after butterflies
caterpillars inch into
our conversations

                                                                    St. Thomas, VI



BLACKBEARD'S HILL

Blackbeard's Castle, the oldest hill fortification on St. Thomas, reinforcement for Fort Christian on the waterfront below, and subject of remarks by John P. Knox:
"It is the general opinion of many of the inhabitants of St. Thomas, that the island was at one time possessed by the buccaneers....The romantic names even of 'Black Beard's' and 'Blue Beard's' castles have been given to the towers on the hills." (A historical account of St. Thomas, W.E., 1852)

over the pirate's tower
a red dragonfly
flashes its blades

flicking tongue
in the old cannon's mouth--
lizard on guard

lizard at twilight
still posted
at the door

legends
wedged in among the stones--
last year's birds' nests




LORCA IN VERMONT 

There’s magic in Vermont I was told. What does that mean? It means I shook hands with Coincidence. It means we booked into the same small B&B. It means we sat next to each other at breakfast. It means impossible odds if there are 300 million Americans and a dozen came to Vermont for a family reunion, and the thirteenth came to study the Poet and offered to show me his Vermont hideaway.

There is magic in Vermont. With the God of Gold in the summer sun, magic runs the hilltops into the ground. Halos of silver turn my head. Fragile fairyland families of Indian pipes hide in the forest mulch.

over my head
the meaning
of the moon



PARIS: PERE LACHAISE

It’s not Halloween. Why did we come here? Why do one million people a year come to visit this hillside? Are they all necrophiliacs? It’s a great rendezvous, a leafy getaway from the city. Though it’s a city of the dead it’s very much alive, probably the most visited cemetery in the world, which must impress the crows and statues and carved angels with outspread and folded wings.

It’s an unusually cold and rainy summer in Paris. Who would imagine sweater, jacket and scarf in the middle of summer! Thursday, July 8th, 20O4, dawned cloudy and threatening to rain again. Raining on and off for a week. The rain’s become a joke. We head for Pere LaChaise cemetery anyway. It’s one of the places I missed last time in Paris, a lifetime ago. I owed it a visit. Oh yes, it’s my lady’s birthday...we’ll picnic in the cemetery if the sky doesn’t fall.

We buy a map from a map seller at the entrance, a very poor guide. It’s almost impossible to follow. I try to follow my nose which is pretty cold and allergic to something in the air. Resident crows break into full cry.

dark sky
crows making light
of the dark

Not many people braving the elements this morning, but there’s a sense of camaraderie among the intrepid strangers who do venture out. Lousy weather is one way to avoid the fair weather mobs. When a few rays break through there’s even a ray of hope for some summer sun. For a while things are looking up. And we do look up often to check the sky. We keep running into the same people, but after a while we follow different maps and walk down an alley of stately chestnut trees alone. 

between dead silences
a solitary crow
on a concrete cross

Going beyond cemetery silence on Sundays there’s even a classic music concert in the crematorium. Fifty thousand Frenchmen can’t be wrong: this is the place to rub bones with the best or the most affluent and vain. There are about100,000 homo sapiens interred in this expensive ground. Vive le cimetiere! Wind and rain try to kill me here--as good a place as any to catch your death. Suddenly, I run into a stone that says simply: DREYFUS.
It stops me cold. No words, no dates. It reminds me of what happened just thirty four years after his exoneration in 1906. The viciousness of Vichy, the round ups, and the trains to the East.  

Wonder what it costs to join the club of so many illustrious skeletons: writers, poets, playwrights, performers, artists, architects, industrialists, scientists, generals, politicians, doctors, bankers, musicians. Everybody who’s anybody who used to have a body is here who can afford to be here. Le tout Paris. I’m in the company of the elite. It’s up to me to find them in this vast hide and seek of a graveyard. Some stones, like Dreyfus’, seem to find me. Then I find it’s the wrong Dreyfus. The right one is in Montparnasse.

Once you find your quarry what do you do? Commune with the spirits? Cross it off the list and move on? This game can go on forever. Jim Morrison, American idol, is a more recent arrival, but I passed him by. Sorry Jim. I’m looking for vintage spirits: Isadora Duncan, Bizet, Balzac, Chopin, Moliere, Proust, Apollinaire, Edith Piaf, Yves Montand, Simone Signoret and of course Abelard and Heloise. What a reunion. So much to look for. Yoohoo, Isadora, where are you? Have I got a scarf for you!

rushing here, there
only 24 hours to live--
dragonfly

Not much luck with my top ten list. I decide to let the dead surprise me. I’ll just stroll and keep my eye on the weather and the antics of other visitors in this open air museum of the dead, losing myself in this place of so many echoes.  The visitors do seem to be the lost souls. So many paths! Which way is which and who lies where? The lost outnumber the found.

Who would ever suspect that among all the culture heroes the one with the most flowers is a 19th century spiritualist who goes by the name Kardec. They say he invented the words “reincarnation” and “spiritism.” He’s a big man on the afterlife campus. Kardec‘s tomb is drowned in flowers. What about the really famous names? Forget it. Kardec is King, the Magus. He ought to get together with Marie LaVeau, voodoo queen of New Orleans, whose gris gris did wonders for her clients.

Crows squabble in the treetops. At a crossroads a black feather lies at my feet. What does this mean? Is it an omen I could take to the bank? Should I throw this souvenir in the trash? Or put it as a token at the feet of LaFontaine? If the fabulist is here and yes, he is, then he’s probably conversing with the crows.

two young dudes
ask for Jim Morrison
I point them in the wrong direction

People stop and ask me for directions. Do I look as if I live here? Must be the debonair red scarf. Not many of those in July. An Italian couple asks if I’ve seen Maria Callas. I can only offer directions to Bizet. We exchange finds. We’re engaged in a sort of treasure hunt with strangers from everywhere, joining in to play tag with the known and unknown dead. You can tell success in the cemetery by the smiles. Some time passes and we run into the Italian seekers again and they’ve found out what happened to Callas: the divas ashes were stolen from Perre LaChaise and returned, later to be scattered off the coast of Greece. What a finalé!

We find a bench for a picnic near the tomb of a 19th century mademoiselle. Lunch is a baguette with goat cheese, olives and tomatoes. The Romantic Poets of France and England would approve of the location. Lightning and distant thunder. It starts to drizzle. No pigeons attend us. The wind picks up. This is not so romantic. A wind blows our napkin down the lane. I chase after it, and I’m ambushed by WW II.

At the WW II memorials to concentration camp victims, a sharp cold wind brings involuntary allergy tears to my eyes, tears driven off by gusts of storm winds. How appropriate and uncannily on cue. I can’t believe it. This is July. I’m being chased away by the knifing wind of WW II. Sauve qui peut, I run away promising to come back later. A later that never happened. I think I’m allergic to WW II. It nearly killed me and it certainly wiped out my father’s family. It came so close and now it’s so far away...or is it.

lightning
the silence
about to break
 
As far as the eye can see I’m enclosed in a garden of stone obelisks, sepulchers, pompous mausoleums, pyramids, cones, crypts, Romanesque, Gothic, Greek revival--geometry heaven...plus stained glass and elaborate marble tombs turned into pissoirs. I’m not the first to take a leak behind a marble monument with winged angels. Angels, I’m told, have no body functions. Forgive me, whoever can forgive. I’m not an angel. 

A stocky African woman in flowing native garb lights a candle to Abelard and Heloise. Why? The wind picks up and she hides the flame behind a protective tombstone. Does she wish for romance? She hovers around the tomb as if she’s family and finding it hard to let go. With her back to the wind she crouches down to protect her candle. We share a smile, though I’ll never know where she’s coming from or what she wants. From what she told me the legend was not familiar to her. Would the simple stone slabs of Yves Montand and Simone Signoret serve just as well? Mysteries abound.

A true alcoholic, a morning drunk with a brown bottle in hand and an eye for the ladies, approaches a trio of pretty girls and asks for the way out. Grinning, he turns to me and kindly offers a hit on his bottle. Merci monsieur. I point him in the right direction as he totters off after his bottle hand down the road. Is he homeless or is this his part time pied a terre. Did he sleep off his bottle breakfast in one of the big mausoleums?

randy drunk
asks for the exit
though he knows the way out

And where did this old man with a grey business suit hiding his bones come from? He seems to have materialized out of nowhere. What gods put him here in my path and made him ask me for directions? Perfect casting, perfect denouement--if this were a movie it would be perfect closure with the camera tracking the skeletal old man up the hill where he’d go up in smoke. Nah, that would be too realistic!

at the entrance
a cadaverous old man
seeks the crematorium

The island of St. Thomas, the birthplace of Camille Pissarro, is my home. I make it a point to visit the grave of my fellow islander, the almost sainted father of Impressionism. And with luck for once I find the site easily. He’s here with other Sephardi relatives. Look! Christians and Jews lie side by side in this crowded corner. The liberté egalité fraternité of the dead in Pere LaChaise is refreshing. Muslims can also find fraternity for eternity here. Egalité didn’t apply to French Jews in WW II. Lucky for Pissarro that he lived in the 19th century. And how the heck did Gertrude Stein survive in France under the Germans!

a visitor’s rose
red and recent
wet with rain

A rare wooden bench gives us some rest during a lull in the freaky cold gusts.

an old couple gazing
at the close set tombs  
sit closer together

From the bench I see lightning. There’s a ten count pause for thunder. Another round of rain. I have a flash: Pere LaChaise --The Movie. A great comic opera, better yet a cut up, sliced up computerized cartoon and real life extravaganza. A grand guignol of history and Halloween. Dark humor rattling skeletons, kicking in closets and roasting sacred cows--if there are any left. Call it a Cage aux Morts.

The crows are silent, the pigeons are grounded. Something’s brewing. More rain coming. The Philippe Auguste metro stop is a long block away but it will be warm. A Parisian cold is not sexy. Let’s amscray, split, depart, before we join the dear departed. If Jim Morrison were alive today he’d probably say, “Man, this place is history. How did I end up here?” Rimbaud has nothing on this rock star.
Move over Rimbaud. Meet Jim Morrison, lead singer for “The Doors.”  A perfect youth icon: good looking, intense, tortured, talented and notoriously, perfectly dead at 27. Found in a bathtub in Paris back in 1971. He probably wanted to die a rock ‘n roll legend. But not so soon, not so soon. If I could reach him I’d tell him this little anecdote as a follow up to his rocking triple refrain “break on through to the other side”: A man comes to the river and he’s stuck. No bridge, no boat. He yells across the river to someone on the opposite shore: “Helloooo, can you hear me? How do you get to the other side?” And a voice answers: “You are on the other side!”

I’d like to be back in Pere LaChaise one more time before I go to the other side. Catch up with this Who’s Who in another mood. Maybe in the evening with fireflies or a full howling moon. How late do the gates stay open? I’m told they close at six. Too early for fireflies. Too late for crows, but always open to an active imagination after the gates close for the night.

carved angels
wind driven rain
flying off their wings




THE SWANS OF 1968

It was a memorable day that first week of April for two reasons. Martin Luther King was shot and l could have been killed.

On account of the news I’m heading home early from my job at Adelphi University, listening to eulogies on the radio, trying to keep up with the latest breaking reality, and driving back to our temporary shelter in the D’Agostino’s summer house, a bargain winter rental in Point Lookout on the Atlantic Ocean. I slow the car down from sixty to maybe forty so I could catch a glimpse of the swans. Were their wings clipped? I didn’t know. Wild or not they made an idyllic picture on that small lake near the highway. A visual treat--I always tried to slow down in that stretch so I could savor it.

The last snowbanks of a late March blizzard were slowly retreating on either side of the highway, and there was no one in back or in front of me. I had the highway to myself and the highway had me. Too late I saw a long sheet of ice. The steering wheel useless. The breaks were a joke. Adrenalin made me super lucid. Would I bounce off a guard rail, smash through it, spin around, flip down an embankment? It was a long slide before the wheels caught bare concrete, and in that charged and charmed moment, I laughed a post-mortem laugh.

saved by the swans
one motorist
grateful for grace



TERMINAL VISION *


At the bus station’s Lost-and-Found, I’m looking for spectacles left behind on the Jerusalem bus. A reluctant clerk dumps brown bags full of glasses on the counter, a hoard fit for a holocaust collection. “Here, try your luck.”

I let my fingers rove over the pile, all types, all styles, from a la mode to outmoded to prehistoric. I‘m stunned by this vision of vision, lost on the way to and from Jerusalem.

The clerk keeps a watchful eye on me as I go through a pyramid of prescription lenses, frames, sunglasses, bifocals lost and forgotten. “Any luck?” she asks.

“No, I’m afraid it’s Kaddish for my glasses. Give me another minute please.”

She waves me off the hoard. “If you’re serious come back in a month or two. Somebody might turn them in.” Next year in Jerusalem, I mutter, but who knows.

at the terminal
I bang on the door
of the wrong bus




OUR TOWN SATURDAY NIGHT *


starry night
not one star
out of place

It’s a folding chair production. Sold out. The local high school is putting on Thornton Wilder’s “Our Town.” Life, love, birth, death in Grover’s Corners, a small New England town with an active cemetery. Bare stage. Not many props. Some chairs, a ladder, and a stage manager to move the characters and ghosts along. You remember it, don’t you?

There’s an extra twist to this all-American favorite. My friend’s the director and he fills me in. The high school English teacher’s daughter plays the lead role of Emily. The teacher’s in the audience tonight. And that’s the real play. She looks normal, doesn’t look bad at all. No hat, no wig, no outward sign that she has terminal cancer.

Every word the daughter speaks on stage takes on added resonance. Heavy echoes hang in the shadows when Emily, in a ghostly white gown, laments her mother’s not being able to see her grown up and getting married. It’s too real, too intensely close to home.

intermission
the condensation
on soft drink cans

Brief power outage toward the end but the play goes on with flashlights and more power than most people can handle. Almost everyone’s aware of the byplay within the play. The cast members most certainly. At the curtain all the dead are applauded, all resurrected as high spirited high school kids. I turn around to see the youngish mother a few chairs behind me. She’s smiling and laughing through tears, applauding her child. Bravo! Bravo! Seventeen and pretty, the star takes one bow, then another. She runs off stage for a quick change. The lady next to me has tears in her eyes too. “Our Town” will never be the same.

At the exit, mother and daughter, all smiles, surrounded by well wishers....

parking lot
a car’s throbbing bass
fades into the night




TO NIKKO & BEYOND *

Northwest of the Tokyo urban sprawl there are still some stretches of rice paddies. I was on the train to Nikko admiring the scenery. The guidebook said Nikko means sunlight. I was hoping we’d get some. The young Japanese guy sitting opposite me and my girlfriend caught my eye, he smiled and said, “I very happy.” That was an unexpected sort of announcement.

“Why are you happy,” I asked, pleased to know that he knew some English.

“I marry Nikko. Tomorrow.”

I congratulated him and wished I could help him celebrate. My girlfriend threw me a look. I wasn’t asking for an invitation. I’m innocent. I don’t even know if Japanese invite outsiders to such a ceremony. Between his English and my Japanese we could hardly communicate.  

She noticed that everybody on the train was equipped with umbrellas. Are we on the rain train? Judging by the umbrellas the odds are against us. “We’re gonna get soaked like frogs in a paddy,” she said. For some reason the train slowed to a crawl. I didn’t mind. The deserted rice paddies intrigued me. Low lying mists rose from them in the near distance. I remembered a haiku by a poet whose name escapes me.

vast summer
the frogs we can’t hear
the frogs we can hear

She liked the lines. I never claimed they were my own.

There’s something about serene rice paddies that makes one long to get off the train and go back in time, back among the fields reflecting the trances of ageless summer. Elysian fields of illusion! What if it rains? The train climbed away from the fields onto higher ground.

Nikko station
a dragonfly makes a pass
at my companion

We followed the crowd. A few drops fell and the threatening sky seemed to be held off momentarily by an instant crowd of umbrellas. We managed to rent a black umbrella at a kiosk from a toothless crone who was doing a land office business. I was eager to see the fabled cryptomeria. There’s absolutely nothing hidden or crypto about these huge soaring cedars at the Toshugu shrine. 

On the asphalt road to the Toshugu shrine, the ornate mausoleum of 17th century Shogun Tokugawa Ieyasu, I followed in the footsteps of a middle aged Japanese gentleman who did not carry an umbrella. He was climbing directly in front of me, looking at his feet, when a yellow bus came hurtling down. I didn’t know how to say “Watch out!” in Japanese. The bus’s side view mirror missed the man’s head by a fraction of an inch. He’ll never know how close he came to being whacked.

I learned how it feels to be tongue tied, mute and dumbstruck in the face of a looming disaster. Talk about the limits of language! I’ve played the scene over in my mind many times. If I had yelled WATCH OUT in English, or Japanese, he might have turned his head in the wrong direction and been struck dead. Fortunately nothing happened...nothing and everything:

open mouthed
I gag
on no language

After the bus incident I headed into the gravel of the shrine and the dark skies opened up with a dramatic downpour. Trying to get to the carved monkeys--the original hear-see-speak-no-evil guys--cost me a good soaking. Who is the monkey? The rented black umbrella didn’t stand a chance against wind driven rain.

 My companion said she had to get back to Tokyo for her English tutoring job. In spite of the weather I wanted to head north of Nikko to Lake Chuzenji and the Kegon Falls and maybe see a bit of the Japanese Alps. I couldn’t tempt her to forget Tokyo. She had an appointment at 4 PM, tutoring a wealthy Japanese film maker/photographer who kept propositioning her with offers of fantasy weekends in fabulous ryokans. I wasn’t too happy about this, but we had an understanding. We were companions of the road. 

 We met in a Tokyo foreign language, i.e. English, bookstore and were instant buddies. Americans in Tokyo. Fellow Californians. Pure chemistry or pure karma. We clicked, but I was short term and she was long term...at least a year. Maybe I should’ve gone back with her. We embraced near the famous vermilion Sacred Bridge and kissed goodbye. It felt corny, too ripe, too rich. A peak moment. A Hollywood moment. Some background music please.

tongue
on tongue
no place
for words

She was hedging her bets. She was a player like me. We were practically each other’s alter egos. She felt we were “obviously married in a previous life.” I don’t remember my previous life. I have trouble remembering this one. 
A few months later after I got back to California I sent her a song about “a moonlighting lady and a no good man/just good for the night/just good for picking up cues/connecting with the Tokyo blues.” I’m still waiting for a response.

Yes, she went back to Tokyo and it poured again on cue. No pathetic fallacy here. It was on again off again downpour time. She probably made the right choice.

black umbrellas
dark skies
no illumination in lightning

Getting on the near empty bus to go to Chuzenji and the Kegon Falls twenty miles northwest of Nikko we passed a poor hut. I couldn’t tell exactly what its function was, but out in the garden there was a solitary sunflower. I had a moment of fellow feeling for this plant beneath dark skies.

which way to turn?
sunflower
in the fog

I won’t complain about the constant yakking of the automatic tape recorded guide commenting about every stretch of the road. It must have been interesting but it was of no interest to the audience of mostly empty seats and one gaijin who couldn’t understand diddly. The bus driver himself finally turned it off when a group of groundskeepers and hotel workers got on. The bus ride up to Chuzenji included forty eight twists and turns and hairpin curves. My stomach wasn’t ready for it. What a relief to get out into the cool mountain air! Expecting nature in the raw,  I found the raw concrete of a  cement structure overlooking the falls. The building contained an elevator going down to the observation deck and a floor devoted to noisy video games. Oh well, modern Japan.

It’s summer and it’s raining and on the viewing terrace I hear the deafening roar of the waterfalls crashing down over 300 feet. What can I say in praise of such water...

heavy rains
the falls overwhelming
the video games

If I had to choose between the living waterfalls and the color woodcut of Keisa Eisen done back in the 1830’s, it would be a tough choice between nature and art on a sunny day. On a rainy day I’d have to choose the woodcut art--so powerful in its silence--no overwhelming roar, no game machines, no pings, no dings, no bonks, no elevators, no kitsch. Just a print of the ravine and the falls in reddish brown, blues and whites--water plunging down in patterns so strong, so unique, so Old Japan.

It must have been an off day at the Falls which are usually crowded with sightseers and newlyweds, even in umbrella weather. Few people, no honeymooners, but plenty of cool mist and rain.

Kegon Falls
not even a pair of dragonflies
on their honeymoon

The Nikko story could end here with no honeymooners and no dragonflies or it could go on. I wonder if me and my Nikko lady are nothing but figments of a fiction writer’s overheated imagination.

old frog
the pond swallows it
without a sound

Maybe my lady love is here in California settled down with two kids and a computer. She could be the loyal wife of my previous existence, as she once claimed. I can almost hear her now, offering comments on whatever haiku this Basho wannabe chooses to show her. She’s always ready with constructive criticism and always ready to criticize my take on anything to do with a trip to Nikko and beyond. Could be...but it wasn’t meant to be. Call it Karma, call it fate, call it what you will. I’m still trying to find a place for words.

Kegon Falls
water letting go
of water



NOIR IN THE RAMAPOS

At the northern end of the clearing the pines close in and a little further into the woods there’s something to be explored which goes beyond the bounds of normal curiosity about one’s neighbors and what’s the best deal in summer cabins. When I first run into the cabin, I wonder why it’s abandoned. I’m good as the next man at snooping but no great shakes as a detective when it comes to basic data. The only private eye on duty here is a bluejay.

sharp and sharper
the needles
between the pines

No one remembers the murdered or the murderer. I sit up at night by candlelight and try to piece together what happened in that cabin. I hate candlelight and wish somebody would invent electricity and running water for mine. From what I’ve seen of other cabins the murdered lady’s was one of the largest and most modern not to mention one of the most charming. The conservatory must have had a special lease arrangement with her. It’s in a beautiful location with some dramatic rocks in back of the property. The stones chosen to line the walk to her door are covered with moss. She had a love of things Japanese. At least that’s what the moss covered stones and small stone lantern say. There are neckties scattered in her living room. Was she strangled with one of them. Who were they for? A  husband? A son? One red, one blue. Nice neckties. Canned goods in the kitchen. Some utensils. No knives. When I rented my summer cabin I didn’t know i was renting a mystery, thrown in for free.

on hold
I listen to insects
communicating

Local people tell me they have a vague recollection of an incident involving an escapee from an asylum...some madman on the loose in these woods.The murderer must have gotten a hitch. And he must’ve known something about the area. It’s so secluded and far from any major highways. Who gave him the ride? The nearest lunatic asylum is not within walking distance. Escaping into these woods would bring the murderer to a dead end road and to these summer cabins.

It’s one of the country legends that linger for less than a generation. This area is a nature conservatory bordering on Jersey watershed lakes and forests and not much in the way of memory is conserved. Memory is deciduous and a part of nature--not only the leaves in the woods fall away.

mountain mists
keep on climbing
mountains I’ll never climb

The thought crosses my mind that I might be able to buy or lease the abandoned cabin, but no no no. I’d be hag ridden by the memory of what occurred there. I wish I didn’t know. I wish it were a false rumor. As it is, in my bed a few hundred yards away, I get paranoid enough when thinking of what could happen in a lonely cabin in the Ramapo woods.

no consolation in candles
I go out for
constellations




SWAN SONG IN THE RAMAPOS

     You have to see this, my artist friend said.
     She lived in a new and pricey subdivision with her husband and kids in the foothills of the Ramapos. Her husband, a computer whiz, naturally had the high income to go with hi tech. As for her, she could turn every rag into a kite tail and twist every scrap of wire into a kinetic creation. She had an over abundance of talent but I sensed a certain air of dissatisfaction in living where she was when she started to talk about flying lessons and parachutes. Momma don’t jump, I said. Just kidding, was her response. Outer suburbia was not her fantasy, Greenwich Village more her speed.
      A white soul sister--I felt for her out in the North Jersey sticks. But the dead woods were coming to life now. The sticks were turning green.

     She led me down a trail into the woods behind her house where budding trees screened an ice cold lake--a glistening gash in the woods--sanctuary for an unexpected guest. Real poetry, a white dazzler, had dropped out of the sky into my friend’s backyard.
     I can imagine the sleeping swan floating on moonlight. I wonder if any film can capture it. She tells me she’s tried but its not the same. The ambience is missing.
     Why don’t you do a poem about it? she suggested.
     I can try but I doubt it will fly, I said, in my best Jesse Jackson mode.
     Let’s call it Yeats, Mr. Yeats, she offered.
     Let’s not. I prefer not to humanize it. Besides, we don't know if it's male or female.
     How about a swan book--photos and poems? That might fly.
     It was one of those spur of the moment ideas that will never take off, but it sounded good at the time.
    The next time I met my artist friend I asked her, How’s your swan doing?
    Gone, she said.
    What? It took off?
    No, it’s gone. Gone to swan heaven.
    Seems in late spring or early summer the swan grew restless. Seeking a bigger lake? A mate? I can see it flapping its mighty wings, stirring up the lake, trailing water beads into the wild blue yonder.
    It didn’t make it--couldn’t clear one of those big oaks, got snagged on a branch and plummeted to earth in a pile of glorious feathers.

such an operatic neck
and yet
not a sound

  
  In its own quiet way--even dead--a swan is very, very loud. You know something great is missing from the lake, from the air, from Mother Nature’s own planet. The mourning doves and I had something real to mourn about.
     A mystery had come and gone. Why this swan, a single swan passing through? Why was it by itself? How many days did it lie there broken? Swans are supposed to rise above it all, damn it.

taking off
the wild swan leaves
its last reflection

 
   My affair with the swan has never ended, but without the living swan the lake isn’t worth a second look. Not that I’m looking...the artist is gone, divorced from her husband and the Jersey woods. I hope she’s happier in Vermont or New Mexico or wherever in some other state of mind.
    The Vision has gone out of the subdivision--Swan Ghost Lake is not on any map except the virtual map of my own making.
    White swan, dead swan, ghost swan, why does it ride me so? Gods die. Swans die.... This one weighs on me, like a leaden winter sky in the Ramapos.

secret lake
a lone swan
deepens the water



JUST YESTERDAY  

Another birthday for Methuselah. How did this happen? Used to have sophomore moments, now it’s senior moments, and just yesterday I graduated summa cum nada. More and more blank blankety blank blankout moments. But then I’ve never been good at remembering names. It’s embarrassing, a serious flaw. I’ll need a hundred years more to correct it. My lifelong partner seriously doubts I’ll have that option....

found by her tongue
the word lost
on the tip of mine



ISLAND BEACHCOMBER * 

There’s a young guy walking up and down Bluebeard’s Beach with a metal detector. I catch up with him and ask in a joking way: Hey, what are you doing on my beach?

He smiles and stoops to pick up a dime. He tells me that the small change is just that. No, the real money isn’t in the chump change but in the jewelry that Caribbean tourists leave behind. A fresh crop every season: rings, watches, necklaces, earrings, especially gold and diamond earrings. Hopefully one can recoup the cost of the detector with a good hit on a virgin beach. A beach that hasn’t been carefully gone over with a detector. Trouble is the beaches in the Virgins are hardly virgin.

Doesn’t it get tiresome hitting on beer caps?

Sure, but who knows what’s down there. We all like surprises in the sand.

How about real treasures, pieces of eight?

There’s always a chance in these waters, old pirate hangouts.

Any luck so far?

No luck so far--nothing-nada-zip. Not a damn doubloon.

Bluebeard’s beach
a ghost crab
digs deeper




DOLLY MACARONI *    

Curses! Dodder! The leafless wonder, the vampire plant. If its victims could scream no one would sleep day or night. I get into the fray with a sharp machete, all the time knowing there are vines and there are vines. This one is a killer and the cutlass won’t do much against the multi pronged attack of a plant that starts out by sniffing its victim like a beast. It’s called spaghetti plant, yellow strangler, witches’ shoelaces, devil’s hair, and in St. Kitts, Dolly Macaroni. Unless you catch it when it starts, painstakingly peeling the vines away, the game’s over. It grows at an alarming rate, building up to an orange yellow mass, a vegetal conflagration––pasta gone wild. It starts by coiling counter clockwise till it latches on to a host plant, gets rid of its own root, and starts climbing like a snake. If it were an animal it would be a hydra. Low level war won’t do it. Once it flowers and its seeds hit the ground you need a flame thrower to eradicate it. And even then there’s no guarantee. Sneaky monster. Its tendrils wrap around anything––thorn bush, cactus, monkey puzzle. Slash, burn, spray, cut up and crush, smother in a plastic bag––not much helps. Its seeds can last from 5 to 20 years or more. If only it were edible it could feed the world. No telling where it will pop up in the next rainy season. Here’s where a good drought can be a friend.

an old glove
in the undergrowth
I have no match




COLD SPELL IN PARIS *

    It’s been raining on and off for five days in a row. More gray Paree than gay Paree. I’m wearing a red winter scarf in July fer chrissake! And my companion needs another sweater. Incroyable!  But I’ve been here before in my Sorbonne student days hanging out with Verlaine, Baudelaire, and Villon. Bad weather is nothing new.
    “Comme c’est beau a Paris,” says the mocking Algerian desk clerk at my cheapo hotel. But we agree the rain’s better than dying in a heat wave like the one that killed thousands a few summers ago.
      The sky is primed to rain at any moment. I hedge my bets, taking the shortest route I know past the Hotel de Ville, and head straight for the Seine and Pont Notre Dame. From there it’s a hop, skip and jump to the Cathedral to visit my old buddies, the gargoyles.
     I stop at a kiosk to listen to a black man with a loudspeaker and a group of Africans chanting: LIBERTE! FRATERNITE! AIDEZ LES SANS PAPIERS! Police––black and white––keep a wary eye on the vociferous crowd of undocumented illegal immigrants and their supporters not far from the Palais de Justice.
    Smashing thunder, lightning, a torrential cloudburst, but the police and demonstrators hold out till they’re soaked. Then they run for it, finding refuge beneath the roof of the Marché aux Fleurs, the oldest flower market in Paris.
     Instead of rose windows and gargoyles we have real roses and unreal orchids for company. I can’t imagine a better place to be trapped––really not trapped at all––while a wicked storm rages away over the Ile de La Cité.

downpour
over the Marché aux Fleurs
time enough to meet each flower



BOWLING GREEN *  

It’s around lunchtime in New York on a gorgeous day in May. I’m dawdling along on lower Broadway, heading towards Trinity Church, doing some street photography. About a block south of the church I see a black stretch limo with dark tinted windows idling at the curb. I wonder what Wall St. potentate, what high roller, the car is waiting for, when a guy in a dark gray suit comes hurtling out of an office building and nearly bowls me over as his chauffeur moves up to meet him. The man in a hurry brushes my elbow with a get-out-of-the-way attitude. I step back and mutter, “Hey! Watch where you’re going!” He turns and says, “I wouldn’t be here if I had....” He smiles and flashes a V sign, gets into the limo with the help of an aide, secret service I suppose, and heads into traffic.“Hey, man! You know who that is?” I ask a black dude in his twenties coming towards me. “Sure, we see him around here all the time.”

camera in hand
not quick enough
on the draw

Did I say he said anything to me? Embroidery. Pure fiction.
But if he had knocked me down, could I have sued the ex-POTUS?
Who would be my witness?

split second
still missing
the candid shot





 CLOWN IN HANDCUFFS *  

High spirits in the French Quarter. Less than a week to Mardi Gras. Merrymakers in pickup trucks toss beaded plastic throws at sidewalk crowds––practicing, just practicing.

A bold black kid points at my shoes, “Bet you a dollar I can tell where you got those shoes.”
“Yeah, I know, I know, I got ‘em on my feet.”
We join in a high five laugh and he takes his hustle elsewhere.

I head for Jackson Square to see if Jackson is still on his high horse.
Something’s always happening by the fence around the square. But why is the cop hassling that big overgrown clown? No vendor’s license? Selling Mardi Grass? Balloons popping too loud? Cop takes out a pair of handcuffs.

“Sorry. I have to take you in.”
Clown says,” Sorry? You’re not sorry!” He and the cop seem to know each other.
The cop calls for a quick back up. Everything’s on hold waiting for the squad car to enter the square. Nearby a guy in a silver toga holds a pose on a small portable pedestal. He doesn’t move a muscle, doesn’t wink or blink.  

snapshot
the living statue                        
holds the pose for years

Should I shoot the cop and the clown, too, or cool it?
A small crowd gathers. People know the clown. “Hey, Big Easy, what’s up?” Clown waves to the crowd. You’d think he’s running for mayor.
An artist by the fence says, “Yo, Big Easy, gimme your nose, I’ll hold it for you.”
“Thanks,” says the clown, “it’s OK.” He takes off his red rubber nose and stuffs it in his trouser pocket.
The cop slips on the cuffs and the clown slides into the police car like he’s been there before. The lady selling rings and earrings takes charge of his helium balloons. They bob up and down––rubbernecking tourists trying to get a better look.

the human statue
poker faced
keeps mum

Behind me I overhear the tarot reader accuse his rival of being a psychic pimp.  I ask the psychic if he knows what’s happening.
“Yeah, cops always hassling the clowns around here. I think they have it in for clowns. Exactly why I don’t know. I’m only a psychic.” He shrugs. “Maybe they just don’t like clowns from Oklahoma.”
The clown minus the nose looks so young. Late teens, early twenties. I hope it’s a case of mistaken identity and not identity theft, or something more serious––like stealing someone else’s nose.

New Orleans Pagliacci
not laughing
not crying

A trumpet splits the air and the drunken saints go stumbling in.





CARIBBEAN BLUES *
   for Rodica


at death’s door
the buzzer’s
not working

The last time we saw each other, she told me I seemed sad. Well, maybe there’s a reason. Aren’t there enough reasons for sadness?

She’s the cliche psychologist: perceptive and insightful about the lives of others but now with her life at stake, she denies she’s is in denial, refuses the normal protocols. Once a dark beauty, she’s getting thinner and weaker by the day--gaunt and frail and too weak to keep up with the needs of her tropical house.
 
at death’s door
the door needs
a paint job

She complains about real estate people sniffing around, knocking at her door,
bothering her.  Maybe if the house was in better shape and the front door was freshly painted they’d leave her alone. Should I volunteer for the job? Me and my bad back?

Maybe I seemed sad because she made me sad knowing that she won’t be around much longer, though she doesn’t acknowledge what’s happening. It’s  maddening but we don’t discuss it any more. She flies back and forth to the mainland and then dismisses the most expensive advice. According to her, the doctors are incompetent, out of touch, too Western, or the personal chemistry isn’t there. What she needs is a wonder-working doctor to produce a tailor-made miracle for her. Painless, potent and without side effects.

Does she have a year or two left? What are the odds. When the odds were better than sixty/forty, she refused chemotherapy. Why? Why did she refuse a good gamble? Threat of baldness, nausea? The unsure victory at too great a price? But what’s the alternative? There’s something too complex for words going on here.

at death’s door
tripping
over the threshold

Her friends talked their heads off to her. One by one they gave up. That was some time ago and now it’s too late. She plays around with different diets, with supplements, with herbs, what she calls a holistic approach. She talks about long range plans to remodel the house and plant bougainvillea and oleander, maybe even cultivate orchids beneath a trellis covered with passion fruit. She talks as if she wants to take advantage of the unusual amounts of rain we’ve been having and I agree it’s a good thing to get things into the ground before the next rainy season.

at death’s door
the weeds taking over
the flower boxes

I am becoming one sad disabled enabler, playing along, though inside I feel a squelched primal scream in the face of her irrational resolve. One doctor tells me that talking truth to her is like talking to a cloud. I find now that I am inevitably humoring her. The next time I visit I’ll bring her a vanda orchid. It should do well.

Passing by to drop off some groceries and the Sunday N.Y. Times, an island luxury, I look at her blue front door, the blue color fading and flaking. I should go buy a bucket of paint and do the job once and for all--bring it back to life. I’ll just tell her the block association of local iguanas has voted me their representative to paint her door in one of two colors--cobalt blue or ultramarine: your choice.

at death’s door
she opens it
and smiles

Every time I pass her door it gives me the flashback blues, and the blues don’t fade.  




VOICE OF THE TURTLE

Prophecy touches the hills and valleys.... Snow helmeted Hermon stands sentinel in the north. Clouds white as Arabian horses whisk through the blue. The first rains have passed and the yeasty earth is spring green. Flowers spring from every crevice and niche, heralding the queen of seasons.

“Mother! Mother! Come here!”  A thin, lemon-yellow stream flows slowly over the smooth sand-bottomed run off channel passing through a field near the boy’s house, disappearing into the mouth of a pipe under the road. He stands on the sandy bank watching the stream. His mother's hanging
 up the early morning family wash. “What is it?” she asks, distracted.
“Come see. In the stream. Look!”
“It’s a turtle.”
“But where does it come from?”
“From the swamp over there, that mosquito swamp. Full of snakes.” She tacks on the snakes to forestall any ideas of ill-gotten ideas of adventure in his mind.
“Have you ever been there?”
“No.”
“Can we go there someday?”
“No.”
Moving at a steady, goal directed, measured pace the turtle comes abreast of them. Its outstretched neck sways, sensing their presence. It stops, blinking a gray lid, wary. Momentarily the scaly paddled feet sink slowly into its body, as if unsure. The feeble stream flows past. Green algae and fine weeds cling to its shell. Mother and son both stand entranced.
“There are even bigger ones in the ocean, which people eat,” the boy’s mother offers.
“People eat them?”
She looks around at the flatland. The black line of road, trafficless, passes their small stucco house, bridges the stream on a concrete span, and belts its way through the young rye, barley, eucalyptus, olive, and cypress, and stretches of brush across the fields.
He tugs at her skirt. “Where is it going?”
“Where is what?” she mumbles, lost in the day. “Oh, the turtle. For certain it’s going to the sea.”
“Will it ever come back?”
“I don’t know.”
The turtle is rocking its bulk again, moving with a fat old lady lurch down stream.
“You never saw a turtle so big!” he says defiantly. “Never, this is the largest.” Gloating, he starts to speak faster, keeping an eye on the advancing turtle, afraid it will disappear if not watched.
“Mother! Mother!” Sudden anguish. “It’s going away, I’ll never see one again.”
His mother speaks lightly. “You’ll see another big one again. You’re young yet, my dear.”
“Never! I’ll never see it again. Never! Mother!” he cries hysterically, “it’s going under the bridge!” He’s sobbing.
A brooding sadness settles over him as he finally quiets down, breathing in short, half crying gasps. He shudders as the turtle plods determinedly on, toward the engulfing blackness of the big-mouthed conduit and at last, with a shrugging motion, pulls its hind feet out of view.


turtledove
repeating its call
too late for an answer



THE WALL

1945 and the memory is clear. I’m walking to the Kotel with my mother. I’m seven. She says: “Stay with me. Hold my hand.” My mother’s nervous for some reason. We walk through the souk down David Street. Down the steps to the bottom, then we make a right, and we see part of the Wall. It looks grey with some straggly green weeds growing out of the upper stones. Another right and we see an alley that terminates in a dead end. An Arab stone house with very small windows faces the wall and casts a shadow over the stifling alley. A few old men are praying. It’s so drab. I’m disappointed. Is this all? Is this the glorious Wall of the Beit Hamikdash, all that’s left of the magnificent temple? What a dark and dank and bleak place!

My secular mother touches the wall. I recall that she slipped a piece of folded paper in a crack. What did it say? I don’t recall the walk back.
 
The memory is clear. It’s 1980. The rabbit warren of houses that encroached on the Kotel was bulldozed back in 1967 after the SIx Day War. There’s a wide open plaza and the Wall is cleaned up and expanded and impressive. My tote bag is examined by a young soldier. I tell him the last time I was here was way before he was born. He laughs and says: “Welcome back, you’re not the first to tell me that.”

Petitions, prayers, desires, wishes, bits and pieces of papers stuff the cracks and openings between the massive Herodian stone blocks. A sort of sacred mail drop. I can wish but I can’t pray. I wish I could. It would simplify things.

I go to the Wall with my mother’s ghost at my side. My hand holds onto nothing, but the memory is clear.

Narcotic, abrasive, intrusive, hypnotic, eternal––the call to Muslim prayer somehow sounds older than the older Hebrew creed––la illah illallah floats in the air over shma yisrael. For a secular soul the idea of a Deity just doesn’t compute, but here it is the only idea.


taped call of the muezzin
the Wall still warm
from the afternoon sun


the sun going down
the orthodox in black
cast a darker shadow


touching
the warm Wall
touched by the stone




* Haibun previously published in Frogpond, Modern Haiku, and Contemporary Haibun.